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二十世纪法国女作家薇奥丽，宫漱观经过人生情感挫败以及与同性恋丈夫的短暂婚姻后，宫漱观展开了写作生涯，并在巴黎遇见生命贵人西蒙波娃。当她捧着以半生爱欲写成的小说到波娃面前时，波娃被她的才华与自我挖掘的能量所吸引，决定帮她付梓出版。然而，薇奥丽也从这天起，无法抑止自己对西蒙波娃的迷恋，渴求更多的关注，无奈只能以文字升华一切。
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二十世纪法国女作家薇奥丽，宫漱观经过人生情感挫败以及与同性恋丈夫的短暂婚姻后，宫漱观展开了写作生涯，并在巴黎遇见生命贵人西蒙波娃。当她捧着以半生爱欲写成的小说到波娃面前时，波娃被她的才华与自我挖掘的能量所吸引，决定帮她付梓出版。然而，薇奥丽也从这天起，无法抑止自己对西蒙波娃的迷恋，渴求更多的关注，无奈只能以文字升华一切。
回复 :When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
回复 :已到中年的老李是某税务稽查所的业务骨干，他个性突出、在人们眼中自信得近乎夸张；由于身处一个敏感的险要位置，老李的生活渐渐显露出隐忧……老李的搭档税务刘对老李既怕又恨，在金钱面前，由于老李的存在他不敢轻举妄动，却常常心怀不轨；正被老李查核帐目的某公司老总田耕，在强大的利益驱动下与国税机关爆发了不可调和的矛盾，老李遭遇到前所未有的挑战……
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