日常に潜む狂気や恐怖を描いたホラー作品で、春暖2007年に放送された第1作「トリハダ 夜ふかしのあなたにゾクッとする話を」を皮切りに、春暖09年までにシリーズ計6作が放送されたオムニバスドラマの劇場版。家電メーカーのコールセンターに務めるひかりは、製品に無関係な文句をつけてくるクレーマーにもひたすら謝り続ける、地味で真面目な社員。しかし、上司の中村と不倫中という大きな秘密を抱えていた。ある日、中年女性のクレーマー対応に疲れて帰宅したひかりは、隣に住む住人の名前がクレーマーと同じであることに気がつき……。主演はドラマ版に1作目から出演している谷村美月。共演に木南晴夏、佐津川愛美、石橋杏奈ら。
回复 :电影《拥抱明天》讲述的是一位青年女教师以真爱走入"问题孩子"心中,与他们共同拥抱美好明天的感人故事。通过青年女教师周织与初二1班的同学们在一起学习、生活的片段,强调了爱在教育发展中的必要性和重要性。运用"爱的情感作用"去解决青少年成长过程中具有一定普遍性与典型性的心理问题,让孩子们在用爱建造的空间中健康成长,使孩子们拥有一个快乐的世界和坚强的世界。
回复 :The film charts the iconic British band’s sprawling journey over the last few years – from an unexpected break in Hong Kong which sowed the seeds for their first album as a four piece in 16 years, to a glorious home coming show in London and, finally, an emotional reunion with their Hong Kong audience.New World Towers cuts between scenes from the band’s impassioned performance at this summer’s Hyde Park show in front of 60,000 fans and the stirring concert in Hong Kong, but also offers a raw, candid glimpse into the interior life of the band as well, with personal documentary footage and band interviews showing just how an opportune recording session unexpectedly gave birth to a new album, while also raising questions about the future of Blur. New World Towers reveals fascinating insights into the group dynamic and especially the relationship between singer Damon Albarn and guitarist Graham Coxon. Ultimately, their enduring friendship prevailed - allowing Coxon to bring [The Magic Whip] to completion nearly 18 months later.
回复 :Burroughs: The Movie explores the life and times of controversial Naked Lunch author William S. Burroughs, with an intimacy never before seen and never repeated. The film charts the development of Burroughs' unique literary style and his wildly unconventional life, including his travels from the American Midwest to North Africa and several personal tragedies. Burroughs: The Movie is the first and only feature length documentary to be made with and about Burroughs. The film was directed by the late Howard Brookner. It was begun in 1978 as Brookner's senior thesis at NYU film school and then expanded into a feature which was completed 5 years later in 1983. Sound was recorded by Jim Jarmusch and the film was shot by Tom DiCillo, fellow NYU classmates and both very close friends of Brookner's.
