剧情简介
本片在叙述柴米油盐的生活中也展示了成长道路上的痛苦与坎坷，歌舞对青年人有一定的警示作用。
歌舞升平
本片在叙述柴米油盐的生活中也展示了成长道路上的痛苦与坎坷，歌舞对青年人有一定的警示作用。
回复 :怪癖经纪人孙美美（蔡卓妍 饰）偷窥艺人东窗事发后被自己一手栽培的功夫明星剑龙（高云翔 饰）背弃，被同行抵触从而陷入事业最低谷；原收债公司恶霸麦超（杜汶泽 饰）机缘下接手一间小型模特经纪公司，转型成为经纪人，寄希望于公司艺人大红、一夜暴富。模特们皆有令人跌破眼镜的别样才艺，为捧红她们，麦超使出浑身解数，先是率领众人将剑龙发布会搅的天翻地覆，与孙美美后台大过招；后是前往爱情动作片公司洽谈演艺合作，探寻行业晦涩面；更是唆使旗下艺人陪各色老板喝酒，却阴差阳错促成了富豪与女星的痴心爱恋。在娱乐圈小试牛刀、胡乱翻腾一阵后，麦超着手实施专业造星大计划。他看中孙美美的工作能力，聘请她为这间经纪公司的首席经纪人。正处事业低谷的经纪人意外接到自己瞧不起的混混抛来的橄榄枝，在窘迫的经济状况面前，孙美美十分不情愿地出任了7个极度糟糕的女模特的经纪人。由最初的游戏人生态度到认真地拾起捧红这几个女孩的梦想，一路发生各种啼笑皆非的故事，而麦超与孙美美之间的关系也在发生着微妙的变化。
回复 :在险恶的日据时代，赛德克族被迫失去自己的文化信仰，男人须服劳役不得狩猎、女人帮佣不能编织彩衣，骁勇善战的英雄莫那鲁道（林庆台 Ching-tai Lin 饰），见证三十年来的压迫统治。因一场误会种下日警和赛德克族的紧张关係，自此族人便活在恐遭日警报复的阴霾中，忍辱负重的莫那鲁道在深思后，虽知将面临灭族危机，但他明白唯有挺身为民族尊严反击，才能成为真正的赛德克人，于是决心带领族人循着祖灵之训示，夺回属于他们的猎场……
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
