律师之妻柿内园子(岸田今日子饰)为了排解生活上的沉闷，新版到艺术学校学习绘画，新版结识了富家千金德光光子(若尾文子饰)。园子被对方的美貌所吸引，以致绘画课时不知不觉画了光子的像。学校里流言纷纷，惭愧的园子偶遇光子，对方却十分友好，二人渐渐发展成同性恋人。园子沉醉在这段同性恋情的同时，却发现光子在外头养了一个小白脸─棉贯荣一郎(川津佑介饰)。园子答应与棉贯共同分享光子，卑劣的绵贯却将双姝的私情 告诉园子的丈夫孝太郎(船越英二饰)，使孝太郎对妻子和友人的关系起了疑心，园子和光子决定假扮自杀、怀孕等，以避开他们的耳目。可是，连孝太郎都对光子产生非份之想，两夫妻与光子的关系更趋复杂，甚至甘愿被她玩弄于股掌之中……
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
回复 :39岁的于红兵（淳于珊珊 饰）是一名老龄三流拳手，战绩败多胜少。拳手经纪人培养新人时往往选择他来“练手”，他的失败能刷新对方的战绩。女儿小鱼（徐丽萩莎 饰）即将跟随前妻移民，老于颇为苦闷。小鱼和老于的女朋友陈青梅（黎心韵 饰）水火不容，老于多次说和未果，陈青梅很是委屈。老于退役，全身心面对家庭生活，却发现家务事比擂台上的打斗更难应付。最终，女儿移民、女友离去，于红兵孑然一身。于红兵在擂台上复出，因为，制造“失败”是他仅存的价值。
回复 :刘健一（金城武饰）是新宿歌舞伎町的混混，身为台湾与日本人的残留孤儿，混血的他被叫作半唐番，不为社会所容纳。歌舞伎町有着上海帮、福建帮、北京帮、台湾帮等，各方力量形成复杂的角力形势。年关将至，似乎是因为健一的前度拍档吴富春（椎名桔平饰）返回歌舞伎町，他因杀死元成贵（曾志伟饰）的手下而逃亡，元成贵遂限令健一在三日内交出富春，否则二人便只有死路一条。此时左藤夏美（山本未来饰）出现，她称与有过节，为了活命甘愿出卖一切，健一被她吸引。富春终于现身，偷袭元成贵的情妇黄秀红的夜总会“上海滩”，令健一陷入绝境。所有人都劝他离开歌舞伎町，但真相并不是那么简单，命运并没有眷顾二人……
