20世纪初欧洲的一个不知名的小镇上。为了调查一件离奇的谋杀案,精品请来了一位医生来为尸体解剖,精品查出究竟是怎么回事。医生在给尸体解剖后,镇上开始骚乱,一个接一个的死亡。
20世纪初欧洲的一个不知名的小镇上。为了调查一件离奇的谋杀案,精品请来了一位医生来为尸体解剖,精品查出究竟是怎么回事。医生在给尸体解剖后,镇上开始骚乱,一个接一个的死亡。
回复 :20世纪50年代那场战争,不仅让同一个民族分裂成两个对立的国家,也让东西方文化的交流出现隔阂与断层。在此后的岁月里,他们相互攻讦、诋毁,却从未想过在这片多灾多难的半岛上实现真正的繁荣与和平。时间到了2007年,一切似乎发生转机。久久封闭的朝鲜民主主义人民共和国向死对头美国伸出橄榄枝,邀请纽约爱乐乐团来平壤演出。这一举措在美国引起轰动,人们纷纷猜测朝鲜背后的动机,也对这次音乐文化传播之旅产生种种期待与焦虑。2008年的2月,爱乐乐团一行两百多人抵达平壤。固有的意识形态让两国人民仍不免误解与隔阂,但优美的旋律却能让一切不和谐荡然无存……©豆瓣
回复 :槙町小学流传着一个悲惨恐怖的传说,20年前曾有一个名叫大志的男孩因为体弱多病而无法参加学校的运动会,后来他死后亡灵便寄宿在一面镜子中。据说之后的运动会上,如果有学生不慎摔倒,他们将可能被大志带走。新一年的运动会过后,爱好拳击的八桥老师(西田尚美 饰)意外从储藏室翻到了大志之镜,不知就里的她将镜子搬到自己的办公室。而这一切偏巧被女孩兰子(前田亚季 饰)、茜(米泽史织 饰)看到。偏偏运动会上兰子和良(吉泽拓真 饰)这对组合意外摔倒。为防止大志作乱,兰子、茜、良以及小胖子真琴(山田一统 饰)相约夜潜校舍。他们将经历前所未有的魔幻大冒险……本片根据常光彻的同名小说改编。
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.