剧情简介
亚洲A seemingly friendly dinner party erupts into a night of violence and terror at a lush Hollywood estate.
亚洲五码
亚洲A seemingly friendly dinner party erupts into a night of violence and terror at a lush Hollywood estate.
钟萱
回复 :A miracle independent film capturing the growth of a single baby over a period of 3 years.The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers.
回复 :海伦（海莉·凯特·爱森伯格 Hallie Kate Eisenberg 饰）自幼便没有视力和听力，自然也不通语言，一直以来，她都在黑暗里过着与世隔绝的生活。由于无法发泄内心的痛苦和孤独，海伦只能不停的折磨着周围照顾她爱护她的父母。为了避免海伦被送往孤儿院，母亲凯特（凯特·格林豪斯 Kate Greenhouse 饰）请来了名为安妮（艾丽森·艾略特 Alison Elliott 饰）的家庭教师，希望安妮能够教会海伦和缺陷和平共处的方法。一开始，海伦根本就不接受安妮的教诲，这让课程的进行举步维艰。在安妮的一再坚持下，凯特和丈夫同意让安妮和海伦进行只有两个人的单独授课，但时间只有两周。也正是在这两周里，安妮渐渐改变了海伦的一生。
王宇鹏
回复 :一个男人走进个黑暗世界，在陵寝般的门廊与棺材似的房间如梦游者行走。有时，声音细琐如飘溜耳际的空气；有时，它们又排山倒海狂怒袭来。胝人杀人，有人牺牲，神在哪里？什么又是这些人的罪恶与惩罚呢？通过精巧的光影控制，这片赭、褐色的世界，几乎打破黑白与彩色的分界，诗样的、冥想的，强调出亚历山大.苏古诺夫别树一帜的实验风格。厚郁的生命省思，毫无意外众多影评人视他为塔科夫斯基接班人的殷望。《呢喃语页》那个无名的"英雄"，在某些层面，令人联想到塔科夫斯基的《安德烈鲁布烈夫》。汉斯－乔钦史拉格评道：本片缓慢、沈思的步调，意不在动作，而是看不见的"内心演出"，以及可见的《呢喃语页》。其目的是要让观众深刻地思虑"罪与罚"这个永恒的主题，同时也触及生命中的社会、宗教意义。由此来看，这部电影不仅在刻划"十九世纪俄语文学"，更在暗指这个主题和今日俄国的相似性。这是苏古诺夫对他的时代，他的传统，所做的一次联结。
