剧情简介
茱蒂戴维丝初登影坛光芒万丈之作。她饰演一位极具文学天份，咪咕并勇于对抗保守环境的女性，咪咕山姆尼尔则饰演她温柔的爱人。女主角从小就宣示她成为文学家的野心，在上世纪初女性尚未得到应有社会地位的年代，她的奋斗故事是一页女性主义成长的诗篇。
咪咕天堂电影院
茱蒂戴维丝初登影坛光芒万丈之作。她饰演一位极具文学天份，咪咕并勇于对抗保守环境的女性，咪咕山姆尼尔则饰演她温柔的爱人。女主角从小就宣示她成为文学家的野心，在上世纪初女性尚未得到应有社会地位的年代，她的奋斗故事是一页女性主义成长的诗篇。
回复 :六年前的一場大地震帶走了嘉芸（陳加恩飾）的哥哥嘉鴻，原本倖存下來的家人走過了傷痛，卻因為佩蓉（王琄飾）的失智，不得不再次面對相同的傷口，而她的丈夫振遠（庹宗華飾），在照顧佩蓉的同時，一直埋藏在內心的毒瘤便開始隱隱作痛，原本想讓佩蓉康復的心意也逐漸產生變質，一家人相愛卻相遠，在失落的記憶中，尋找一絲倖存的機會。
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :Three women struggle to survive in the Alaskan wilderness after a mysterious event has left them homeless. Along the way, they encounter other survivors who are out to help or hurt them, as well as a dangerous supernatural presence.
