钟洁希
发表于2分钟前回复 :唐僧师徒四人一路西行,误饮子母河水后遭遇如意真仙,化解了怀孕待产的劫难之后,又步入神秘的西梁女国。在换取通关文牒之时,西梁女国国王对唐僧一见倾心,随即安排国师前往说媒主婚,愿以一国之富招赘唐僧为夫。唐僧回绝了国师的好意,在与国王共同游览御花园时对国王的心意屡屡婉拒,并于孙悟空商量对策以便尽快离开这个女儿国。孙悟空在拿到通关文牒之际,使出定身法术将国王等人定住,师徒四人快步逃离西梁女国。逃至荒郊野外,唐僧有些于心不忍,惆怅之际又见国王只身追来。国王盛情相约,前往别院一聚,唐僧心动之余随之前往,而孙悟空、猪八戒、沙僧恰好赶来。国王见到唐僧徒弟追来后幻化成真身,原是蝎子精,随即将唐僧掳去。孙悟空等人连忙追赶。蝎子精逼迫唐僧成亲,关键时刻孙悟空赶来,与沙增和八戒一起制服了蝎子精,又往西天赶去。
鲍必提
发表于6分钟前回复 :Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.