剧情简介
美国惊悚悬疑片，奇奇一些令人不安的事件使得一位拍摄陌生人的艺术家怀疑有人在监视她，奇奇真实和虚幻、犯罪和艺术、监视者和被监视者的界限变得模糊……
奇奇网午夜福利
美国惊悚悬疑片，奇奇一些令人不安的事件使得一位拍摄陌生人的艺术家怀疑有人在监视她，奇奇真实和虚幻、犯罪和艺术、监视者和被监视者的界限变得模糊……
张亚飞
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :剧情描述，清末民初，洋人高登欲聘一名武功高强的总保镖，公开征求各方武林高手报名比武。黄飞鸿（谷峰 饰）之表亲麦根（简森 饰）力图此职，惟恐黄飞鸿与之争夺，是以借机踢盘滋事，旨使彼在武林中失威。最后总保镖之职竟由土匪头子李天道（王侠 饰）夺得……
回复 :雪娘与嫣红乃是阴间之鬼魂，两鬼却利用鬼门关开启之日结伴同游阳间；雪娘因而爱上周浩，并化名阿丽与之邂逅，周浩亦因失恋而接受了阿丽的关怀谱成人鬼恋。舒萍与浩分手后，却发现怀有周浩之身孕，欲回头与周浩重修旧好，才发现周浩已结新欢而感沮丧，好友李芸不忍见舒萍痛苦，请来法师作法，欲让主动离开周浩，却因而发现阿丽是女鬼，便请法师捉拿，阿丽顿时逃回阴间，周浩因不舍阿丽便追随阿丽而去。
