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回复 :“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.”
回复 :
回复 :Take a peek at the life of an unhappy housewife who finds passionate love from her neighbor and how their affair brings them closer to fire.
