剧情简介
故事讲述一名带着铁锤上门的青年马提夫闯入岳父家中、蜡笔试图杀死岳父替女友复仇，却发现一连串隐藏在这个平凡家庭底下的黑暗戏谑真相。
蜡笔小新：呼风唤雨！金矛之勇者
故事讲述一名带着铁锤上门的青年马提夫闯入岳父家中、蜡笔试图杀死岳父替女友复仇，却发现一连串隐藏在这个平凡家庭底下的黑暗戏谑真相。
戎梵
回复 :凯蒂(林赛•洛韩 饰)青春活泼，单纯可人。因为父母的工作关系，她从小在非洲长大，接受家庭式教育。同时，她在那个原始开阔的地方，凯蒂养成了隐忍坚强性格。15岁的这一年，凯蒂随父母搬到伊利诺斯州，开始了她人生第一次的校园生活。可令人不愉快的是，凯蒂的与新同学的相处根本不是她原本想象的样子。女孩儿们的世界，表面平静和睦，却波涛暗涌。为了适应新的环境，凯蒂暗自学习“生存法则”并很快凭着可人的外表加入了学校很光鲜的一个小圈子。她温顺的性格，也似乎为她赢来了一群要好的朋友。然而，一切平静，都在她爱上男孩亚伦(乔纳森•本尼特 饰)的那一刻发生了变化。原来，亚伦是学校最惹眼的女孩Regina (瑞秋•麦克亚当斯 饰)的前任男友，虽然她们已经分手，可是霸道又自负的Regina根本不能容许凯蒂的介入。于是，一场女孩之间的战争悄然开始。关于友情，关于尊严，关于诚恳，关于信任。一切的一切，女孩儿们将如何学会，如何长大。
回复 :一次意外，作为魔法界“土系”后裔的小魔豆穿过时空之门，来到了隐藏在密林深处的捉妖学院，见到了校长和学院的老师，并与其他几位作为魔法界五行家族后裔的小伙伴们一起在学院学习。但校园里一系列奇怪的事情接连发生，小魔豆和他的小伙伴们从校长口中得知，在学院的地宫之下镇压着一个绝世大魔头—闪影。闪影一旦冲破封印，捉妖学院乃至整个魔法界都将面临巨大的危机，而只有五大家族后裔合力五行能量才能消灭闪影。在联手抗敌的过程中，他们发现在闪影复活的背后隐藏着更大的秘密……
张世
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment