经过上一季的惨烈搏杀,真爱沈腾所率领的欢乐麻花团队最终击败宋小宝、真爱贾玲、乔杉、修睿等一众强劲对手,摘得喜剧之王的桂冠。携着第一季的良好口碑,欢乐喜剧人第二季隆重登场。此次王宁和艾伦代表麻花继续出战,辽宁军团则有小沈阳的东北F4和宋晓峰的MP3前仆后继,大潘、佳佳顶住尴尬冲锋陷阵,贱萌岳云鹏和孙越领军德云社杀入重围,港台一方则请到赵正平以及香港喜剧宗师詹瑞文。比赛期间,更有白凯南、秦昊甚至潘长江、苑琼丹乱入战局。而主持人方面,郭德纲代替吴秀波更令场面异常火爆。升级版的欢乐喜剧人,精彩继续!
经过上一季的惨烈搏杀,真爱沈腾所率领的欢乐麻花团队最终击败宋小宝、真爱贾玲、乔杉、修睿等一众强劲对手,摘得喜剧之王的桂冠。携着第一季的良好口碑,欢乐喜剧人第二季隆重登场。此次王宁和艾伦代表麻花继续出战,辽宁军团则有小沈阳的东北F4和宋晓峰的MP3前仆后继,大潘、佳佳顶住尴尬冲锋陷阵,贱萌岳云鹏和孙越领军德云社杀入重围,港台一方则请到赵正平以及香港喜剧宗师詹瑞文。比赛期间,更有白凯南、秦昊甚至潘长江、苑琼丹乱入战局。而主持人方面,郭德纲代替吴秀波更令场面异常火爆。升级版的欢乐喜剧人,精彩继续!
回复 : 探索全球陌生水域、找寻未知事物及珍禽异兽;与当地人民分享欢乐时光、喝点小酒、吃点山珍海味;甚至在海关被扣押、历经枪口惊魂。欢迎加入无畏的主持人,身兼记者及海底摄影师的亚伦佛斯,在这个崭新形态的旅游节目中,每一集都带领观众,前往不同的目的地,造访独具风情的当地水域和酒坊酒吧。亚伦决心要找出海陆两个世界中最狂野的事物,不仅关注地理生态,也要跟当地人打交道。在一次次的冒险中,他领悟到人性的共通点,大家都希望与自己、人群和大自然进行亲密交流,若能伴随一杯美酒,就更惬意了。
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
回复 :乔·科伊回归 Netflix,在标志性的洛杉矶体育馆登台献艺,推出了他的第四部原创特辑。乔·科伊沿袭一贯的风格,滔滔不绝地讲述了他和青少年儿子的关系,以及他与睡眠呼吸暂停综合症的斗争等等。