胆颤“어느 날, 계모가 데리고 온 새누나로 인해 모든 게 변하고 말았다…”2년전 지방 펜션 사업가 대길(정민준)의 재력을 보고 재혼한 보험왕 송여사(이유린). 하지만, 서서히 망해가는 대길의 펜션 사업과 자신을 인정하지 않는 대길의 아들 성호(김영식)로 인해 결혼생활은 평탄치 않다. 더욱이 매달 조여오는 보험 실적에 짓눌린 송여사는 지긋지긋한 생활을 벗어나 멋지고 새로운 인생의 한방을 위해 그녀의 젊은 내연남과 음모를 꾸민다. 이윽고 재혼한 남편 대길과 그의 아들 성호를 대상으로 위험한 미끼를 던지는데...
回复 :父母要离婚，但他们为了各自的工作，采取各种方法让孩子厌恶自己。在这种对抗过程中，一家人又渐渐找回了在一起的温馨与感动。
朱子岩
回复 :距离圣诞节还有一周，美丽的蒙特纳罗女公爵玛格丽特与长相跟自己一模一样的芝加哥平民史黛西对换了身份。在圣诞老人助手的魔法下，玛格丽特爱上了史黛西英俊的同事，而史黛西则爱上了玛格丽特的未婚夫，一位风度翩翩的王子。
高以爱
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
