剧情简介
男子前世好賭成性失去老婆女儿，天堂意外重生在1998年，一切都还來得及，拳击反着买，別墅靠大海！“老婆，閨女，我带你们称霸世界”！
天堂在线2018
男子前世好賭成性失去老婆女儿，天堂意外重生在1998年，一切都还來得及，拳击反着买，別墅靠大海！“老婆，閨女，我带你们称霸世界”！
蒋艾伶
回复 :
叶安婷
回复 :Reya（Ploy扮演）是佣人的女儿，因出身低贱一直被瞧不起，于是一心想要凭借美貌跻身上流社会。本想与大家族的小儿子Kiatkorn（New扮演）结婚，却在婚礼当天被抛弃，无家可归的她不得已回到泰国，寻找找新的可以满足她愿望的男人。男人之一David （Aon扮演）：一个帅气的银行经理David，已经有未婚妻Yaowayot（Yard扮演），但是Reya照抢。如愿得到David后，David被前女友权利巨大的爸爸Yotying（Pete扮演）报复，不得不远走他乡，Reya当然不可能跟着他走，所以这两个人的故事就终结了。男人之二Roybun（Iang扮演）：表面是朋友Prakaithong（Kem扮演）的侄子，实际是Prakaithong养的小白脸。但Reya不知情。男人之三Paramatt（Nutt扮演）：已婚花花公子，与妻子合谋骗光Reya的财产。男人之四Kiatkorn（New扮演）：Reya一心想得到却未能得手的男人。男人之五Yotying（Pete扮演）：女二Yaowayot的爸爸，Reya为了报复Yaowayot而勾引的男人。男人之六Willy扮演：美国富商，如同Reya的灵魂导师，就在Reya决心安定下来的时候，他却意外身亡。可恨之人必有可怜之处，一切的一切，没人可怜她，到底谁爱过她？？当她想改过自新的时候，有这个机会吗...？
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
