基克尔（约翰·巴里摩尔 John Barrymore 饰）是一名知识非常渊博的科学家，老湿利他将毕生的经历都投注到了探索人性的善恶奥妙之中，老湿利并且最终制造出了一种可怕的药剂，这种药剂能够令基克尔化身成为海德先生，基克尔将自己所有的恶意和坏念头都投射到了海德的大脑里。白天，基克尔行医救人乐善好施，待到夜幕降临，海德先生便会现身，杀人害命，无恶不作。基克尔有一位名叫伊芙（妮塔·纳尔迪 Nita Naldi 饰）的未婚妻，两人之间的感情非常的要好，然而，海德先生的存在让基克尔不自觉的被名叫碧翠丝的放荡妓女所吸引。分裂的人格让基克尔感到万分的痛苦，他想要消灭海德先生。
江涛
回复 :After an encounter with aliens, a wealthy women grows to, surprise surprise, 50 feet tall. With her new found size she decides to get revenge on her husband and others that annoyed her.
回复 :过气明星霍华德•史本斯（山姆•夏普德 饰）无法接受自己不在风光的事实，花甲之年的他竟然酗酒，吸毒，生活糜烂，每天在片场工作都提不起劲来。这时候他想到了自己家乡里的母亲，他便决意放下自己的工作回到了母亲身边。那里同时有个消息在等着他，消息使他的生活一下子起了变化，变得光亮起来——老母亲告诉他原来是有一对儿女的。正当他打算准备着寻找自己的儿女的时候，私家侦探萨特（蒂姆•罗斯 饰）执意要把他带回霍华德工作的片场。但霍华德早已决定要寻找自己的儿女了，便再次自片场出走。他找到了朝思日想的儿子厄尔，但儿子拒绝承认这名父亲。低落不已的霍尔德更遇到了少女斯琪，更因为她的出现发展出一个惊人的场面。
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
