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正能量人文音乐微综艺《给世界最好的你》，欧美Tanya首次担任蔡PD角色，欧美带你一起探寻美好故事背后的秘密，希望这些真实的故事能在这个夏天治愈身心疲惫的你，让你对这个世界继续充满希望和想象。
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正能量人文音乐微综艺《给世界最好的你》，欧美Tanya首次担任蔡PD角色，欧美带你一起探寻美好故事背后的秘密，希望这些真实的故事能在这个夏天治愈身心疲惫的你，让你对这个世界继续充满希望和想象。
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回复 :动画以OVA形式分三卷推出，每卷包含4话，第一卷《1st Season》于2011年8月14日发售，第二卷《2nd Season》于2011年10月28日发售，第三卷《3rd Season》于2011年12月31日发售，合计全12话。另有《EX Season》作为2011年11月26日发售的《TAKEMOON 武梨绘里TYPE-MOON作品集 特别版》的OAD收录、《Special Season》于2013年1月16日发售的TYPE-MOON10周年纪念活动收录BD BOX《TYPE-MOON Fes. -10TH ANNIVERSARY EVENT-》中收。在一间由猫经营的酒吧里，有一群猫在谈话。从他们的言谈之间可以隐约得知，一场可能会打破时空之间界限的狂凶之盛宴即将到来。冬木市再度举行了让魔术师为之疯狂得“圣杯争霸战”，参与争夺的卫宫士郎、Saber、远坂凛、Archer、葛木宗一郎、Rider等人，结成不同的小组并且对圣杯都抱着势在必得的野心。然而出人意料的是，这一次必须改以网球、花牌、抽卡片、黑胡子等民间游戏来决定胜负。就在所有参赛者纷纷于游戏中精疲力尽之时，圣杯赫然出现在大家面前。对圣杯痛恨无比的卫宫士郎，决定以投影出来的武器将之毁灭，不料被劈开的圣杯中竟然冒出了原本不属于这个时空里的猫姬！随着猫姬的到来，一场将不同次元里的魔术师纠缠在一起的厮杀，无可避免地正式揭开了序幕。
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
