本片讲述了一个周旋于几个男人间的女人的爱情故事。女歌手Gertrud（Nina Pens Rode 饰）的丈夫Gustav Kanning（Bendt Rothe 饰）将成为内阁大臣，午夜Gertrud却向丈夫坦诚她不再爱他了，午夜因为他把工作看得太重要而忽略了对她的爱。Gustav问她是否有了新欢，她承认了。之后她离开家去见了她的爱人，年轻的音乐家Erland Jansson，两人互诉衷肠，Gertrud仿佛可以看到两人的美好未来。第二天，大诗人Gabriel Lidman（Ebbe Rode 饰）的欢迎宴会上，Gertrud也出席了。原来她和Lidman也有过一段感情。Lidman想要挽回Gertrud，被她拒绝了。Lidman告诉她，他知道Erland其实爱的是另外一个人。于是当Erland弹奏着钢琴，Gertrud唱着歌的时候，她晕了过去。Getrud又去见了Erland，希望和他一起去巴黎，但是Erland拒绝了。而当Getrud回到家，又遇到了Lidman......
回复 :不明寄生生物强行侵占人类宿主的身体并夺得力量，人类必须挺身作战，对抗日益壮大的威胁。
游喧
回复 :本剧讲述某国际知名专卖店里，前任店长刚调走，新店长尚未上任；在这“半自由无政府”状态下，店员杜紫藤享受着可以天天上班迟到的生活；可另一店员苏爽爽却是截然不同的工作态度，每天早去晚回的忙里忙外，原来她是利用职务之便和小手段，亏空店里的钱赚取差价。这一天注定是苏爽爽倒霉的日子，新店长程鑫“微服出巡”，苏爽爽误认为是顾客，故伎重演利用VIP会员卡盗用公款，这事被程鑫当场戳穿，当场辞退了她，并正式接任了“店长”职务，杜紫藤和Francois两人大吃一惊。程鑫宣布要招一名男员工，紫藤却暗地里怪招百出，准备搞砸“招工计划”，阴差阳错竟把过来买东西的朱葛给强招了进来......
回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
