“美队”饰演的男主角感情受挫一蹶不振，国产高潮不再相信爱情。可是在一次慈善晚会上他装作一个慈善家出席，国产高潮却意外遇到了让他怦然心动的女主角，不巧的是人家已经订婚。为了赢得芳心，男主角装作只是普通朋友跟对方交往，当然求爱过程中也少不了损友帮忙，损友之一便是他在《美国队长2》里的好基友“猎鹰”，在预告片里，看他俩拌嘴逗比，一瞬间还真有点出戏。本片是克里斯·埃文斯在《床伴逐个数》之后，再度担纲爱情喜剧男主角，他的角色依旧是有些滑头的高帅富。在把妹过程中，做了不少愣头小子的“蠢事”，上演了种种令人捧腹的乌龙故事。
回复 :影片《菜鸟囧探》讲述了曹毅、姜末两名警校毕业刚入职的公安片警人员，一腔热血却只能抓猫抓狗，为群众解决一些鸡毛蒜皮的琐事。但却在实现自己进入特警大队完成内心的特警梦想的路上遭遇了一帮婚恋诈骗分子。这帮婚恋诈骗分子中有一个绝色美女，在上级的指示之下，曹毅姜末自行学习富人的常识。通过去敬老院劝说一名跳楼老人之后，和老人结下友谊。不料这位孤独老人是身价过亿的富豪老先生，在他的帮助下曹毅姜末假扮富豪对决罪犯。在层出不穷的意外之下，他们与诈骗团伙斗智斗勇，并将其一举擒获。
回复 :抗美援朝时期的某高地，激烈的战争正在进行，刚出院的中方志愿军战士王成（刘世龙）一回到部队就要求投入到战斗中去，并拿出父亲王复标（周文彬）鼓励他为国立功的家书给张团长（郭振清）和政委王文清（田方）看，王复标是王文清的老战友，他也知道王成是王复标的儿子。王成在战斗中壮烈牺牲，全团展开向他学习的行动，文艺兵、王成的妹妹王芳（刘尚娴）强忍悲痛投入到创作中。和王芳的接触中，王文清虽认出她是自己十八年前无奈丢下、后被王复标收养的女儿，却没有和她相认，而是鼓励她以实际行动向哥哥学习，王芳也在后来的战斗中有英勇表现。
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
