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一位心烦意乱的母亲怀疑她十几岁的儿子正在策划校园枪击案，日本但当他从系统裂缝中溜走时，日本她被迫将事情掌握在自己手中。在安家安装了一个精心设计的间谍相机系统后，Abbey拍摄了一系列令人不安的视频，证实了她最害怕的事情。在母亲无条件的爱和母亲敏锐的直觉之间挣扎，Abbey在网上为她的视频迎合所有其他"怪物的母亲"。当雅各用一个黑暗的家庭秘密来对付她，将母子俩都用一种可怕的，最终致命的猫和老鼠游戏，艾比的计划适得其反。
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一位心烦意乱的母亲怀疑她十几岁的儿子正在策划校园枪击案，日本但当他从系统裂缝中溜走时，日本她被迫将事情掌握在自己手中。在安家安装了一个精心设计的间谍相机系统后，Abbey拍摄了一系列令人不安的视频，证实了她最害怕的事情。在母亲无条件的爱和母亲敏锐的直觉之间挣扎，Abbey在网上为她的视频迎合所有其他"怪物的母亲"。当雅各用一个黑暗的家庭秘密来对付她，将母子俩都用一种可怕的，最终致命的猫和老鼠游戏，艾比的计划适得其反。
回复 :SUPERCOOL马其顿动作幻想片！sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it?... so, the best thing i could say about "Zbogum na 20 vek" is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.5/10
金尚贤
回复 :荒廢工廠護衛員肥雪，在看驚悚電影時，虛幻情節突然變成真實！一向酷愛鑽研人類的JEFF，帶著痴心女友BOBO、好色死黨Ronny與他初相識的內地模特大野等一行七人勇闖荒廢多年的神秘小島。旅程中卻不斷遇上神秘人的襲擊，面對著九死一生的情況，遊戲正式揭開序幕。
回复 :当不少人以为《脸庞，村庄》（2018）是华妲退休前最后杰作，她连奥斯卡终身成就奖亦袋袋平安，偏偏俏皮一笑，又交出这部活泼生猛的纪录片。由巴黎、洛杉矶到北京，马不停蹄开班分享创作理念，这位九十岁祖师奶奶不言倦，反正花样年华已被唤作「法国新浪潮祖母」，索性成为影坛万年青。 本尊娓娓道来启发《短角情事》（38 届）的好奇心，《拾穗者与我》（25 届）的细腻观察；至今不辍光影实验，不吝将艺术触觉传承。是为一生回顾展？言之尚早！