培杰
发表于3分钟前回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
林冰冰
发表于5分钟前回复 :Set in the scenic Sila plateau in Italy’s Southern Calabria region, “Home Education” revolves around a family that are followers of an esoteric cult and live in a secluded house deep in the woods.
池秋美
发表于8分钟前回复 :根据《罗马假日》改编的一部颠覆爆笑喜剧,中国各顶尖专业院校、中央台和北京台精英联手打造。我(旺才)是西西里岛人可我没骗人长官,我知道政策,我全交待!那是一个漆黑的黑夜,除了姑娘几乎什么也看不见。我就在这个城市的街上溜达。我在想象我这样伟大的人能干点什么才能吃饱肚子呢?于是乎我看到有位漂亮姑娘就躺在街边。长官,能给支烟吗?她(丽香)居然比我还穷!我问过,但我还是毅然带她回了我家。她非常漂亮,非常可爱,非常迷人,非常……可我非常没钱!我为了挣到一大笔钱,我和我周围的人使出各种手段记者变成混混警察……黑帮老大的暂住证又被偷了……整个世界在那个晚上混乱了,人们的智商有的大幅度的提高或降低她是个非常善良并且善良的姑娘长官,能给个火儿吗?我爱上她了!犹如爱上好吃的水煮鱼。我想救她!可事情变得令人无法相信……您要相信我……长官…我讲的是真话!长官…我讲的…真话!…长…官…哎呀……谁扔的烟灰缸儿?