一个政治家在目睹妻子在一起恐怖事件中死于汽车炸弹后,春暖一直在和自己搏斗……
一个政治家在目睹妻子在一起恐怖事件中死于汽车炸弹后,春暖一直在和自己搏斗……
回复 :Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.What follows is no traditional action film, but a thriller with snatches of comedy, in which the enemy isn’t hidden behind masks, but is in the minds of the liberators. Before they act, they have to overcome their personal demons. Comparisons to the school hostage-takings in Beslan and Kazan are obvious, yet Karatas – the mythical village where much of director Adilkhan Yerzhanov’s work is set – could be anywhere. It is universally acknowledged that crises bring out people's true natures.
回复 :1996年的《紙人頭》哈那克又回到了《322》時記錄與虛構並置的路線。導演從大批過去未曾展示過的檔案影像之中,回憶並重溯了從二次大戰到89年絲絨革命的這段歷史,除了運用民眾在5月1日的共黨大節裡,以紙製人頭偶來揶揄政治人物的行動偶劇為創意,重新安排以紙人頭在成批的歷史影像串流中穿插出現,重構一齣政治寓言。導演並反身自涉了70年代的個人經驗回顧,企圖為這個被世界遺忘與湮滅的區域撢去塵埃。影片中大批出自不同年代不知名拍攝者之手的檔案影像,包含了官方的節慶宣傳,民間的反彈行動、秘密警察大肆街頭逮捕等等,不同鏡頭的視角、時間、觀點在導演手中統籌、架構成一套哈那克的敘事言說。除了回溯近代史之外,導演在創作處理涉及的層面與手法,讓影像的鏡頭、觀點、政治意識型態的支配以及作者本身意志與自覺之間多層次辯證,又多了更往前推進一步的例子。這對當前劇情片回漲無期,而紀錄片當紅的台灣,有心思索下一步的影像創作者來說,杜桑‧哈那克應該是深具啟發性的。
回复 :美国职业棒球天使队连吃败仗,不但球员逊毙了,连火爆教头诺克斯〔丹尼葛洛佛〕也忍不住拿球员练拳出气!就在此时,两个小球迷却宣称可以看到天施展魔力帮球队赢球。而球员们也果真脱胎换骨,向总冠军迈进。不料,一个野心勃勃的播报员却从中作梗···