成人During the pandemic, the present camp owner is forced to entertain the new buyer then learns of his evil intentions towards the land. In order to stop the sale he has tricks up his sleeve but a zombie uprising was never one of them.
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
回复 :施家少爺有病，施夫人往廟宇求神，廟祝教她收養一乾兒子小老鼠來檔災，原來正是小老鼠的父親想將兒子賣往富貴人家的計劃。小老鼠賣入施家，很不習慣那種有規律的生活，更與專門服侍他的僕人饅頭作對，令饅頭憤然辭職。小老鼠更製造一件謀殺自己的兇案來逃走，好讓施家不再找尋他。小老鼠逃走後，碰上神偷夜貓，當夜貓知道小老鼠的故事後，便靈機一觸，要小老鼠扮鬼嚇人，而夜貓則扮神父去捉鬼，從中騙取財物……
回复 :马戏团的表演因为呆板无趣而失去了观众，他们面临着破产和倒闭的危险，谁都不知道会不会有“救星”从天而降。流浪汉查理（查理·卓别林 Charles Chaplin 饰）在游园会中被卷入了一个小偷的圈套中，招来警察的追捕。他像无头的苍蝇一样钻进了正在演出的马戏团。舞台上，查理 躲避警察的各种肢体动作，被观众当成马戏团的表演，他们非常喜欢查理的“表演”，热烈地鼓掌来。马戏团老板想让查理留下来，帮助马戏团起死回生。虽然查理并不想以马戏团为生，但是走投无路的他为了维持生计也只好接受了老板的提议。很快，查理的喜剧表演天赋让他成为了马戏团的招牌演员。他爱上了善良柔弱的马戏团老板女儿，想尽办法取悦她，但是，老板的女儿真正爱上了的人却是走钢丝的男演员，为了成全所爱的人，伤心的查理默默地离开了喜欢他的观众。查理·卓别林凭此片获得第1届奥斯卡金像奖荣誉奖。
