高远（谷尚蔚 饰）从小就失去了父母，拳职遭人拐卖被训练成为了黑市拳击手，拳职莎莎（崔允素 饰）虽然父母双全，但却被狠心的两人卖到了妓院沦为妓女，一场意外让这两个身世相似的人相遇了。随着时间的推移，两人坠入了情网，然而，黑老大（梁家仁 饰）牢牢控制着莎莎，令她身不由己。爱情的力量令高远和莎莎逃离了魔窟，隐姓埋名，过上了平淡幸福的生活，然而，就在此时，高远被查出脑部遭受重创，时日无多，得知自己无法陪伴莎莎走过漫长的岁月，高远和好兄弟小海（杜海涛 饰）决定远赴泰国，想要在黑拳比赛中大捞一笔，以解莎莎的后顾之忧。与此同时，黑老大寻获了莎莎的下落，绑架了她。
李濠
回复 :杨明（黄秋生 饰）在黑道中浸淫多年，早已经爬到了大哥的地位，可是，多年的摸爬滚打让杨明感到疲惫不堪，他只希望能够卸下帮派之中的繁杂事务，过一种平静的生活。一次偶然中，杨明结识了名叫阿媚（蔡卓妍 饰）的茶餐厅老板娘，阿媚的温柔和善良让杨明印象颇深，随着时间的推移，杨明渐渐爱上了阿媚。然而，杨明并不知道的是，自己手下的小弟阿良（黄又南 饰）亦对阿媚有着特殊的感情，两个男人之间的关系因为阿媚的存在而变得暗流涌动。与此同时，比尔一直在打着杨明店铺的主意，看到杨明和阿媚交往甚密，他决定将进攻的目标放在阿媚的身上。杨明和阿媚都不知道，他们正在渐渐陷入一场阴谋之中。
回复 :George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes.While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle.The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s.But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way.The high cheese factor is aided by the good-time cast Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl.One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star.Elmer Bernstein's swaggering score helps goose the action along.
张芸京
回复 :蔚蓝晴空，日正当中，中年男子尼尔与家人在墨西哥的度假胜地，享受奢华的悠閒假期。白天在泳池边小酌，晚餐与乐手暗送秋波，一切都十分惬意，直到手机铃声划破空气。电话那头母亲病况危急，大家只好收拾行李，搭上下一班回国的飞机，不料尼尔在登机口找不到护照，只能与家人分道扬镳。走出机 场，尼尔搭上计程车，开往的却不是回饭店的方向，而是市区的破烂旅社⋯⋯。继夺下威尼斯影展评审团大奖的《美丽新秩序》后，导演米歇尔法兰科再度以家乡贫富悬殊的纷乱治安为衬底，带来看似轻鬆写意却暗潮汹涌的家庭剧，二度进军威尼斯影展正式竞赛。提姆罗斯冷淡疏离，充满上流馀裕；夏绿蒂甘斯柏躁动不安，不时紧绷焦虑，情绪来往的强烈对比，勾起观者更多好奇。情节曲折，线索散落，主角的真实动机且待拼凑。潮退潮起，日升日落，生命的转折路口，一瞬之间就大有不同。
