剧情简介
陈宝莲踏出赤裸第一步，复仇拍出坦荡第一部！复仇珠宝店东何霖面临破产，遂计划打劫自己之店以骗取保金。森、大头及东仔被选中来港，可惜行劫事败。竟遭东主何霖灭口，只剩森一人逃离魔拳，躲到其青梅竹马的知己阿虹处，无奈地，林却发现阿虹沦为妓女，逐决意救她逃出火海，与此同时，森的行踪又给东主何霖发现...
王子复仇新记1987
陈宝莲踏出赤裸第一步，复仇拍出坦荡第一部！复仇珠宝店东何霖面临破产，遂计划打劫自己之店以骗取保金。森、大头及东仔被选中来港，可惜行劫事败。竟遭东主何霖灭口，只剩森一人逃离魔拳，躲到其青梅竹马的知己阿虹处，无奈地，林却发现阿虹沦为妓女，逐决意救她逃出火海，与此同时，森的行踪又给东主何霖发现...
回复 :Man（李中宁）与豪放大胆的女友Gigi（顾杰）友而不婚，极尽享受人生。John（陶大宇）是Man的同事兼室友，姓格却保守内向。一夜，Gigi被飞仔调戏，Man施展绝招将对方击退，却遭高空掷物打中头部猝死，Man在阴间得悉阳寿未尽，赶回阳间，但禸身已遭火化，Man清急之下胡乱找一禸身，是女体，Man苦恼不已。Man以女姓之身返家，被Gigi误为Man生前玩伴，Gigi愤然离去，Man欲辩无从，唯有认作Man之表妹Mandy（陈颖芝），迫John勉强收留“她”。Mandy以经理（曹查理）的绯事为胁，重回旧职，但与Gigi的一段旧清却无法挽回，佳人已投向别人怀抱。
回复 :在SP中，吉高饰演的主人公·伦子在三年后还是单身，不过她依旧没有放弃，前作中和坂口健太郎饰演的金发帅哥KEY是否还有后续呢？荣仓奈奈饰演的香成为了人妻，大岛优子饰演的小雪则朝着自己的梦想继续前进，本剧描绘的就是这样的各种问题。
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
