别放After a group of telemarketers get fired by their penny-pinching boss, they take revenge by stealing the company's list of clients to start up their own firm. In the heat of celebration and a few drinks in, they lose the phone which holds the only copy of their future costumers. While tracking the lost device on Halloween night, co-workers Amber and Will find themselves trapped in a demented drug addict's house of horrors.
回复 :在录像带店工作的店员艾德（马修·麦康纳 Matthew McConaughey 饰）是一个普通的不能再普通的三十岁男人，就连他自己也想象不到，有一天，自己竟然成为了家喻户晓的电视名人。原来，电视台节目总监辛西娅（艾伦·德詹尼丝 Ellen DeGeneres 饰）的事业遭遇了滑铁卢，日渐低迷的收视率让她的职位受到了巨大的威胁，在这个节骨眼上，她决定制作一档二十四小时连续放送的大型真人秀节目，而节目的主人公正是艾德。很快，艾德的名字便响彻了大江南北，名声和利益接踵而至，让一向不引人注目的艾德尝尽了一夜成名的梦幻滋味。然而，随着时间的推移，艾德发现自己的出名带来的并不只是美好的一面，渐渐显露出的贪婪的人心和无处不在的监视和束缚让他开始想要回到曾经简单快乐自由自在的生活中去。
回复 :Chan-woo, who has been studying to become a police officer for 5 years, joins his friends for dinner to ask for the money to apply for his exam and ends up getting drunk. He completely blacks out and wakes up not remembering what happened in his next door neighbor's room. Not only that, he finds a bloody corpse in the middle of the room. He hurries back to his room and tries to report the incident but he had forgotten his phone in the other room. But the door is locked and he has to resort to using a rope to swing to the next door room outside the window. Once the phone is recovered, he cannot go back because of a group of cultists who are evangelizing the neighbors in the hallway. He knows it’s the last day to apply for his exam and gets antsy as time is running out.
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
