剧情简介
一心想当导演的叨叨被老板白毛毛以导演梦为诱惑欺骗打杂，水果阴差阳错的因为导演”金刚囊“广告一炮而红，水果后来又因为男扮女装被山总误认为自己的初恋，合伙成立了营销团队，遇到了各种奇葩的客户，由此开启了爆笑广告之旅。叨叨却在此过程中偏离了自己的理想，还让自己所爱的人受伤，叨叨最终回归初心，以电影的形式帮助了一个绝症男孩找到了勇敢治疗的勇气。
水果篮子 prelude
一心想当导演的叨叨被老板白毛毛以导演梦为诱惑欺骗打杂，水果阴差阳错的因为导演”金刚囊“广告一炮而红，水果后来又因为男扮女装被山总误认为自己的初恋，合伙成立了营销团队，遇到了各种奇葩的客户，由此开启了爆笑广告之旅。叨叨却在此过程中偏离了自己的理想，还让自己所爱的人受伤，叨叨最终回归初心，以电影的形式帮助了一个绝症男孩找到了勇敢治疗的勇气。
回复 :正直勇敢的贾汉上尉一直坚信自己的命运要由自己掌控，面对人生的各种挑战，都要做赢家。在奉命抓获私自到军事禁区水域游泳的苏哈妮之后，两人由斗气冤家，逐渐演变为彼此难舍难分的爱侣……然而，命中注定他们的爱不会一帆风顺，这段姻缘遭到了苏哈妮家人的坚决反对，他们爱的命运也受到了空前的考验。离开家庭，一心想自己掌控爱情的苏哈妮，却目睹了贾汉的订婚场面……救了陷入暴风雪中的新郎，应邀参加其婚礼的贾汉，残酷地发现婚礼的新娘正是苏哈妮……面对命运的挑战，贾汉会怎样应对？他们爱的命运会走向何方？……
回复 :江湖大盗在行窃名贵花瓶的时候，无意发现了女主角留下的深情的书信。他被信中的真挚的感情所打动，便将书信发 进了自己的邮箱里仔细阅读。发现这一切的女主角通过电邮与江湖大盗继续保持联络，二人逐渐情投意合。当他们想走到一 起时，却遭到了大盗的幕后老板和女主角贪财好色的男友横加阻拦，他俩能否冲破谋害和危机终成眷属？
俞思远
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
