长久以来，谋杀剧作家大卫（约翰·库萨克 John Cusack 饰）都过着郁郁不得志的生活，谋杀艺术家特有的清高让他对如今腐败混乱的话剧界充满了失望之情。为了讨好情妇奥利芙（詹妮弗·提莉 Jennifer Tilly 饰），黑帮大佬看中了名不见经传的大卫的剧本想要投资，作为前提条件 ，大卫必须让奥利芙饰演主角。虽然奥利芙唠叨的个性和蹩脚的演技让大卫深感抓狂，但在利益面前，他痛苦的屈服了。就这样，一个奇怪的剧组诞生了。剧本的漏洞，女演员们之间的矛盾，男主演日益肥胖的身材都让大卫感到绝望，但令他惊奇的是，一直监视着奥利芙的保镖契奇（查兹·帕尔明特瑞 Chazz Palminteri 饰）在无意中展现了过人的编剧才能。在契奇的帮助下，被改写的剧本居然获得了盛大的成功，与此同时，契奇对由自己操刀的剧本展现出的病态执着和剧组里混乱的男女关系让大卫陷入了另一个困境……
何美玲
回复 :江湖从来就是非横生。自从如来天尊（曹达华 饰）自创了威力无穷的如来神掌后，武林中的各门各派都虎视眈眈，天尊不胜烦扰，将如来神掌和火云战衣传与了徒弟古汉魂（万梓良 饰）后，圆寂过世。从此古汉魂自称火云邪神，在武林上大开杀戒，引发了一场武林浩劫。一晃眼二十年过去了，古汉魂早已退隐多年，一日他从悬崖底救起了因和师傅女儿（余安安 饰）相恋而被师傅击下山崖的青年龙剑飞（尔冬升 饰）。古汉魂将他毕生所学都传与龙剑飞，让他穿上火云战衣，代表火云邪神重出江湖。从此江湖又将不得安宁！
回复 :今天和平富庶的生活，与无数先辈们舍生忘我的牺牲息息相关。当我们歌舞升平之时，怎可忘记那些沉睡在历史荒丘中的名字？女演员夏珊（许晴 饰）驾驶豪华跑车飞驰在曲曲弯弯的山道上，期间不知为何她神思恍惚，结果出了严重车祸。在深度昏迷中，夏珊仿佛听到来自百年前的呼唤，在那个位置的时代，仿佛有一个她牵挂了百年的男人，他的样子正渐渐清晰起来。那个男子名叫林觉民（佟大为 饰），曾经身着白衣，大汗淋漓跑上自家楼梯，劝说待字闺中的陈意映（许晴 饰）嫁给一个不爱的男人。这一面在两人的心底牵上红线，他们终于结为夫妇。而在那个动荡多难的年代，林与陈的爱情，最终化为一封字字凝血的《与妻书》！本片根据龚应恬的同名话剧改编。
回复 :After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette.“With NOROÎT, Jacques Rivette has joined Federico Fellini as one of the great autobiographical surrealists of the cinema” (John Hughes). Based on the bloody Jacobean play, “The Revenger's Tragedy,” and influenced by samurai films, Fritz Lang, and Samuel Fuller, NOROÎT was shot in a fifteenth-century chateau and a twelfth-century seaside fortress, and stars Geraldine Chaplin as the ghostly Morag, out to avenge the death of her brother who was murdered by a group of women pirates. With its emphasis on ritual, fantasy, and spectacle, “NOROÎT contains the most beautiful images and sounds of any Rivette film” (Jonathan Rosenbaum, Sight & Sound ).
