克拉拉（伊萨贝尔·祖拉 Isabél Zuaa 饰）是一名护士，春暖某日，春暖她收到了一份神秘的委托，要求她去照顾一位名叫安娜（玛乔丽·伊斯恬诺 Marjorie Estiano 饰）的孕妇。心细如发的克拉拉将安娜照顾的无微不至，安娜对克拉拉也十分友善，一来二去之间，两人之间结下了深厚的友谊，安娜也逐渐开始向克拉拉敞开心扉，吐露了自己的过去。原来，安娜也曾是衔着金汤匙出生的千金小姐，却因为怀孕而被赶出了家门，而她腹中孩子的父亲不是人类，而是狼人。虽然这个秘密让克拉拉感到非常的恐惧，但是她还是尽力履行着自己的职责，不幸的是，在分娩的过程中，安娜因为难产去世了，留下了呱呱坠地的小狼人。
回复 :时局动荡妖祸横行，上古之妖一目五屠杀整个村庄，降妖僧大痴法师将其收入“点妖录”镇封五面佛头之下。并救下一名男童，取名仁义。二十年后，仁义私自下山“降妖”，路遇花妖莲心、斜眼术士方不正，入妖集了解降妖僧乃达摩坐下沙门所化，对妖只渡不灭。凡是甘愿落入点妖录的，皆会听命于降妖僧号令。另一边，一目五法杖化为万法天尊，伺机让一目五出世。此时等待仁义的将会是一段人生的转折，和此生难释怀的记忆……
叶玉卿
回复 :Vietnam responds to the witty and grandiose Indonesian thriller “The Raid” (2011) astoundingly, with a lethal extravaganza of martial arts, full-capacity tension and adrenaline on trucks, boats and bikes. This spectacularly choreographed total action dynamic thriller plunges into the darkest corners of vicious revenge in gorgeous locations.Luong Đình Dũng makes a 180-degree turn from his two previous films “Father and Son” and “Drowsy City”, to deliver a jaw-droppingly breath-taking spectacle of massive fistfights, vigorous chases, sword duels, sharp wounds, and twisty traps. Non-chronological sentimental flashbacks offer shocking, gripping and plausible motivations for frantic anger, savaged fury, extreme torture, and an unchained desire to kill.Humbly honest truck driver Hung learns that the depression and paranoia of his teenage daughter An was caused by recent kidnapping and molestation. Enraged, the loving father rides to take revenge on creepy psycho paedophile millionaire who is protected by his spoilt and merciless musician son, wretched stubborn henchmen and filthy slutty female bikers. These bastards deserve gritty elimination without 50/50 or #metoo penance, sentiments, guilt or pity. There is something amazing here to witness on the big screen, and expectations for an imminent sequel are high.Vietnam nominated the film for the Oscar for the Best International Film.
回复 :按照资本主义的理想化定义，在该社会体制下生活的人民可以自由自在的选择工作，并获得相应的报酬。但现实究竟如何？2008年金融风暴席卷全球之际，美国的土地上无数人因为丧失赎回权而被银行赶出家园；有的商人则与司法系统勾结兴建感化院，通过监禁犯错的少年大殓其财；还有的企业偷偷为员工投保，并待其死后赚其巨额赔偿金；而当成千上万的工人失业之际，华尔街的银行则向政府请求高达7000亿美元的救济金，这笔钱的最终走向却无人得知。纪录片导演迈克·摩尔（Michael Moore）再次拿起摄像机，试图揭穿政客和商人剥削民众、暴敛钱财的真实嘴脸……本片荣获2009年威尼斯电影节小金狮奖。