徐钢（张丰毅 饰）是女子特警队的教官，奥特平日里不苟言笑，奥特表情令人生畏。在某废异工地上，他正给姑娘们布置着搜索任务：小薇和小娃，李睿玲和方婷都进入各自位置，狙击手小黄也把枪囗瞄准了歹徒，待徐钢下达命令后，看似无懈可击的演练仍让教官提出不少问题。新一轮超负荷的训练又开始了，徐钢现场督战，容不得姑娘们丝毫马虎。方婷的父亲身居要职，他不忍女儿再从事这种危险工作，通过威望向徐钢施压，却被徐断然拒绝。方婷仰慕为国捐躯的哥哥，一心想成为中国最优秀的女特警。时光荏苒，行将毕业之机，徐钢的老班长李睿玲的父亲英年早逝，徐钢一改往日的严厉，安慰着痛不欲生的李睿玲......
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
回复 :Cuma（罗伯特·维凯威兹 Robert Wieckiewicz 饰）在一次盗窃事件中被警察逮到，由于掩护了同伙Julian（波利斯·席克 Borys Szyc 饰）而使Julian逃过了牢狱之灾，狱中的Cuma这天收到医生开出的健康证明获得假释。原来是老主顾上门，让他盗走波兰博物馆镇馆之宝——达芬奇的名画《抱银鼠的女人》。Cuma去找Julian合作，Julian已经是一名警察，还上夜大读法律，一片向上的生活。怀有强烈爱国心的他不愿意帮忙，然而Cuma既是他的兄弟更是他的恩人，他心生一计，决定暗中掉包，也不会让国宝落在自私的收藏家手中。忙碌的准备工作开始了，找人画复制品，准备炸药，遇上形形色色有趣的人，到了动手的那一天……那一天，乌龙百出，却又皆大欢喜。
陈倩倩
回复 :四年前妻子离世后，家庭教育专栏作家丹·伯恩斯（史蒂夫·卡瑞尔饰）独立抚养教育三个女bbb。虽然他专职为父母们排忧解难，但是面对自己苦闷封闭的现实生活、孩子的成长问题，却束手无策。为了缓解人生危机，丹带着全家回乡，盼望能够找到新的生活方向。不料事与愿违，唠叨的父母和爱嘲弄的亲戚让他更为郁闷；而在书店里偶遇的玛丽（朱丽叶·比诺什饰）让他重见阳光；可是意想不到的是玛丽竟然是弟弟米奇（戴恩·库克饰）的女朋友……亲情、爱情不如意的丹，是选择向生活妥协，还是会勇于冲破障碍追求美好未来？
