珍尼弗温拿斯
发表于7分钟前回复 :This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.comments from imdb:This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.15 out of 10 and then some. 10/10Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
梦幻塑胶机器
发表于1分钟前回复 :故事发生在十九世纪的英国,霍布森(查尔斯·劳顿 Charles Laughton 饰)经营着一家鞋铺,辛辛苦苦拉扯着三个女儿玛姬(布伦达·德·班泽 Brenda De Banzie 饰)、爱丽丝(达芙妮·安德森 Daphne Anderson 饰)和维奇(普鲁内拉·斯凯尔斯 Prunella Scales 饰)长大,一转眼,三个姑娘都已经到了谈婚论嫁的年纪,但吝啬的霍布森并不准备支付女儿们的嫁妆。玛姬爱上了鞋匠威利(约翰·米尔斯 John Mills 饰),尽管霍布森极力的反对这段不合时宜的感情,但独立好强的玛姬还是同威利结了婚。在玛姬的帮助下,威利的事业蒸蒸日上,很快便成为了霍布森最强劲的商业对手,与此同时,玛姬还帮助两个妹妹解决了嫁妆的难题。
红豆
发表于1分钟前回复 :青年企业家许奋斗为了留住村里小学的师资力量,也为了留住即将失去的女朋友的芳心,许下了要把村小变城小的诺言。然而,在履行诺言的旅途中,其命运多舛,百转千回。他用各种方式找寻、接近本村走出去的性格、事业、情怀迥然不同的六位企业家,他们在为村小转变格局的过程也碰撞出了意料之外的人情、人性之悲欢。然而,一切在一张张天真的笑脸面前,在故乡教育事业的面前,他们又出奇的一致和统一。在许奋斗和六位企业家的背后站立的是走出去和留守的众父老乡亲。在他们帮助村小变城小的路上,取得了超乎预期的收获。当然,不只是钱的事……