在1979年,色色级劳伦斯·比塔格和他的搭档罗伊绑架并奸杀了五名少女,色色级凶器用的是老虎钳、槌子和螺丝刀等器具,因此被称为“工具箱杀手”。劳伦斯在1981年被判死刑,但是等了38年仍未执行,最终病死在狱中。他在折磨其中一个受害者时录了一个40多分钟的录音,此录音当年负责此案的警官为了让陪审团给他判刑播放了部分,结果使大部分陪审团哭着跑出了法庭或者当场呕吐,现在这个录音已成为FBI用来训练自己的成员心理素质的工具。
在1979年,色色级劳伦斯·比塔格和他的搭档罗伊绑架并奸杀了五名少女,色色级凶器用的是老虎钳、槌子和螺丝刀等器具,因此被称为“工具箱杀手”。劳伦斯在1981年被判死刑,但是等了38年仍未执行,最终病死在狱中。他在折磨其中一个受害者时录了一个40多分钟的录音,此录音当年负责此案的警官为了让陪审团给他判刑播放了部分,结果使大部分陪审团哭着跑出了法庭或者当场呕吐,现在这个录音已成为FBI用来训练自己的成员心理素质的工具。
回复 :由于成人尸体不断出现以及联系中断,盖特林小镇的诡异情形终于引起内布拉斯加州政府的关注。为了避免政府的追查,盖特林镇的孩子们全部转移至邻近的汉明福德小镇。工作和家庭皆不如意的记者约翰•盖瑞特(Terence Knox 饰)带着儿子丹尼(Paul Scherrer 饰)来到盖特林追查真相。在小男孩米凯(Ryan Bollman 饰)的帮助下,父子二人找到一所房子落脚。与父亲矛盾重重的丹尼很快米凯成为好朋友,在米凯的引荐下,他又结识了玉米地中的孩子们,并受到深深的影响……
回复 :这部电影讲述的是“机遇号”火星探测车的故事,它的创造者和美国宇航局的科学家们亲切地给它起了个名字,叫“机遇号”。机遇号最初的预期寿命只有90天,但它最终在火星上探索了近15年。
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.