剧情简介
某香港科技大亨的女儿失踪，国产Breslin发现罪犯是自己一个老对手的疯狂儿子，国产他还绑架了Breslin的爱人Abigail，并把她关在名为“恶魔车站”的巨大监狱里。 Breslin将和自己的团队硬闯虎穴，试图劫狱。
国产精品天天天天影视
某香港科技大亨的女儿失踪，国产Breslin发现罪犯是自己一个老对手的疯狂儿子，国产他还绑架了Breslin的爱人Abigail，并把她关在名为“恶魔车站”的巨大监狱里。 Breslin将和自己的团队硬闯虎穴，试图劫狱。
回复 :中里博士は人間を透明にする薬品を密かに完成させるが、秘密をかぎつけた謎の男が薬を奪い透明人間になって、希代の宝石“アムールの涙”を強奪しようとする。円谷英二が大映京都撮影所で、「虹男」に続いて特撮を担当した話題作である。
回复 :卡莉（卡梅隆·迪亚茨 Cameron Diaz 饰）是一位精明强干的律师，无论对于生活还是男人，她所要求的无疑都是最好和最完美的。一次偶然中，卡莉结识了名叫马克（尼可拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）的男子，后者的英俊和潇洒立刻就吸引了卡莉的注意，没过多久，两人就坠入了爱河。为了给马克一个惊喜，卡莉瞒着他来到了他的家乡，让卡莉没有想到的是，在这里迎接她的，竟然是一个自称是马克妻子的女人凯特（莱斯利·曼恩 Leslie Mann 饰），而凯特对于卡莉的存在亦是一无所知。直到这时，卡莉才开始渐渐看清马克的真实面目，她和凯特决定联手，将其揭穿。之后，一个名为艾伯（凯特·阿普顿 Kate Upton 饰）的女人加入了她们，三个女人联合在一起，好戏即将上演。
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
