电影主要讲述了：妈好民国军阀时期的某山区，妈好村民发现了一只稀有的金钱豹。一队逃兵为了讨好奉系军阀某军官，想要抓住这只金钱豹送给军官姨太太做礼物，于是抓了全村人威胁他们说出豹子窝。回村过年的卖货郎万华山，因大雪封山便投宿在了镇上的俏寡妇桃花开的“黑”客栈，阴差阳错与来买酒的逃兵相遇，他一边与“谋财害命”的俏寡妇桃花智斗，一边与买酒的逃兵上演全武行，收拾了他们之后便得知了乡亲们被抓的事。万华山在改邪归正的桃花帮助下，秘密潜入了村子，先是救出了聪慧勇敢的村花百合；接着两人携手设下计策，将逃兵引入陷阱，救出了被抓全村村民，护住了金钱豹；最后，百合认出了万华山就是与她定娃娃亲的初恋山娃子，有情人终成眷属。
井上
回复 :一群体重过人的小胖墩被父母逼着，为减肥来到了夏令营。路上，两个偷窃了国家生物基地克隆晰蜴的罪犯阿乌、阿元躲到了夏令营的车上，一不留神把装晰蜴的包和胖墩装肉松的包混在一起。无奈之下阿乌、阿元以厨师身份混入夏令营，想偷回晰蜴。胖墩们在锻炼之余，发现了晰蜴，爱如珍宝。他们发现阿乌、阿元的企图之后，展开了一场斗智斗勇的斗争，将两个坏蛋整得苦不堪言，最终被公安人员抓获……
郭峰
回复 :贝蒂（Alba Gaïa Kraghede Bellugi 饰）是个敏感而胆小的小女孩，和爸爸妈妈一起住在精神病疗养院旁边一间阴森的大屋里。贝蒂整天都生活在巨大的孤独中：姐姐快乐的离家上学了、爸爸妈妈感情破裂、漆黑的大屋深处、昏暗的天空……一天，从疗养院里逃出了一个英俊的小伙子伊凡（本杰明•莱蒙 Benjamin Ramon 饰）。当贝蒂发现了虚弱的伊凡时，好心的她将他藏在了家里的杂物仓库。他们度过了一段快乐的时光，然而，警察也开始搜索伊凡了。为了他的安全，贝蒂要带着伊凡上路了。
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
