黑道大哥方叔（柯俊雄 饰）为人刚正耿直，超人忠勇仁义，超人为道上的兄弟所敬仰。当年他为保护兄弟，一个人顶下所有罪名，从此在监狱中度过了几十年岁月。出狱后，周围一切早已变了模样，当年的小弟们垂垂老矣，或退休，或经商，俨然与黑道没有任何干系。而黑社会的价值观也发生巨大改变，年轻的黑社会完全不把仁义放在眼里，在他们看来金钱胜过一切。方叔知道属于自己的时代早已远去，莫不如静下心来过好余下的日子。但他的女儿阿丽因疏于父爱而过分叛逆，成为一个小混混的马子。为了保护女儿，方叔不得不重新进入这已经变得十分陌生的纷乱江湖……
回复 :剧中主人翁任艺自幼酷爱影视，梦想能当一名出色的演员，一直坚持自己梦想的他在剧组摸爬滚打，从做剧务、当群演直到开影视公司，虽然吃尽苦头、受人白眼，但他从未放弃做演员的梦想，结束北漂的日子后，他回到了自己的家乡河南。不甘示弱的他，立志要在家乡拍一部属于自己的电影。在众人的反对声和嘲笑声中，他和一群志同道合的人走到了一起，历经重重困难，终于拍成了一部属于自己的平民电影，实现了梦想。这部影片主要讲述的是一帮年轻人，都怀有一个共同的梦想，就是拍电影。历经失败和挫折，在他们的坚持与努力下，最终实现了自己的梦想。也就是说只要怀抱梦想，就一定有理由成功，这是一部激发年轻人的励志电影，通过社会的真实性再现,酸甜苦辣,人生百态.一群平凡的人，做了一件不平凡的事！
回复 :Elia是一名心理医生，他和妻子分居隔壁的公寓，却又常常约会。因为血糖过高，医生建议痛恨健身房的Elia增加锻炼，他误打误撞结识了美丽却又不按常理出牌的私人教练Claudia，从此他平静的生活一去不复返……
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
