电影分为三个发生在不同时期、草莓地点但是相互有着关联的故事。《背影》：草莓陈经理（陈柏霖 饰）受公司所托前往广西进行业务考察，在工厂里，他意外的遇见了和自己失散多年的父亲。如今的父亲已然垂垂老矣，他早已经认不出儿子的面庞了，而陈经理也似乎并没有和父亲相认的打算。《湖畔》：陈德明（陈柏霖 饰）刚刚喜为人父，一封来自监狱的信便冲淡了这份喜悦。原来，他曾经的挚友（杨佑宁 饰）即将面临死刑的制裁，他要去新加坡送他最后一程。《再见》：大学教授陈志彬（陈柏霖 饰）前往泰国讲学，在那里邂逅了曾经的大学老师（蒋雯丽 饰），两人重续了一段师生恋。
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回复 :出品单位北京金强盛世 文化传播有限公司摄制单位北京金强盛世 文化传播有限公司、北 京世通佳讯文化有限公 司许可证号影映故字〔2006] 第0 11号声音制式单声道 幅别遮幅 片长5(本)2462米编剧曲剑峰贾东岩导演刘强制片卢宝山主要演员马维福潘乐乐主要内容 悦悦和养父李青山清贫而快 乐地生活在一个安静的小村庄里。 一天，生活富裕的生母杨秀英来接 悦悦进城。面对养父和生母，悦悦 决定留在养父身边。 小寡妇王秀芝是李青山的恋 人，李青山也很疼爱她的儿子八 宝。王秀芝打算带八宝嫁入李青山 家，婚后再生个孩子.让悦...
回复 :嗜酒如命的中年大叔巴德（凯文·科斯特纳 Kevin Costner 饰）刚刚因为醉酒被解雇了，每天玩乐度日的他对家事国事天下事事事无兴趣，却有一个精明早熟、极有主见的12岁女儿莫莉（玛德琳·卡罗尔 Madeline Carroll 饰）。眼看美国大选在即，按照巴德的前半生经历来看这事跟他八竿子打不着，因为他根本不懂选民资格也从未注册过。然而今年，莫莉却已经悄悄帮他办妥了一切申请，只需他手指一动。然而更出乎预料的是，由于投票机器的故障，巴德的投票竟变成了决定美国总统选举结果的关键一票。一时间各类媒体和候选人团队蜂拥而至，巴德父女俩至此被推到风口浪尖，从未涉足政界的小市民巴德将如何面对和判断这突如其来的局面，又将以怎样的方式投出自己的关键一票呢？©豆瓣
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
