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爵士
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爵士
回复 :第一位一年內得到四大極地賽總冠軍的極地超級馬拉松選手：陳彥博，在如此艱困的環境下，是什麼動力驅使他向前？是什麼樣的夢想讓他克服重重困難、突破自我？歷經10年籌備、 2年半拍攝製作，製作團隊跟隨著陳彥博的腳步遠征世界各地。台灣知名極地超馬選手陳彥博，2016年拿下四大極地世界總冠軍，也成為該賽事有史以來第一位在一年內拿下世界冠軍的亞洲選手。紀錄片「出發」完整記錄陳彥博十年來的熱血奮鬥冠軍之路。鏡頭跟隨陳彥博走遍沙漠、高山、雪地，並在半年內橫跨整個地球，連續前往北冰洋與南極洲，帶你親眼見證充滿血淚，卻依然勇往直前的超馬選手心路歷程。當中更有令人感動的溫暖親情、競技場中彼此扶持亦敵亦友的兄弟情誼！
回复 :13岁的艾米（安娜·帕奎因 Anna Paquin 饰）在一场交通事故中失去了母亲，只好被送到与母亲离异多年的父亲（杰夫·丹尼尔斯 Jeff Daniels 饰）身边。父亲经营着一座农场，整日琢磨各种稀奇古怪的发明，面对已经长大的艾米难免不知所措，二人最初的相处生疏而隔阂。艾米收拾好丧母之痛，也努力适应农场生活，一日在一片树丛发现一窝被遗弃的大雁蛋，她小心将它们捧回家里，并成功孵出一窝小雁，但是出于政府野雁不可以家养的规定，艾米必须要令这些小雁放归自然。父亲想出了奇妙的主意帮助艾米，他动手为她制作了一架滑翔机，让她带着小雁学会飞翔，然后在迁徙季节一路护送“雁妈妈”艾米带领小雁们飞向安大略湖，在这个过程中，一对父女的心也开始紧紧连在一起……
刘彩玉
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
