辛巴（兰维尔·辛格 Ranveer Singh 饰）自幼失去了父母，隔墙沦为孤儿。受生活所迫，隔墙辛巴不得不在街头流氓大哥的教导之下成为了一名扒手。在年幼的辛巴心目中，看似无所不能的流氓大哥就是这个世界的神。一起行窃的过程中，辛巴和流氓大哥被警察抓住了，看着流氓大哥在警察面前点头哈腰的样子，辛巴的信仰破碎了，他终于明白，在流氓大哥的上面，还有更权威的角色存在，那就是警察。就这样，辛巴立志要成为一名警察，并在经过了多年的不懈努力之后，终于坐上了警察局局长的交椅。然而，辛巴并不是那种惩奸除恶的好人，他仗着自己的权利和地位和当地流氓团伙沆瀣一气，惹得市民们敢怒不敢言。
邱泽
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
回复 :故事以1997年6月30日，香港回归中国作为引子，讲述三位初出茅庐的年青人，不单止见证着香港特区的转变，同时分别带出三人在香港回归后，几经浮沉、积极奋斗、面对友情、亲情、爱情之间的矛盾争斗的感人故事。
林佳仪
回复 :自古以来皇家秘密组织——皇家龙虎豹一直秘密承担着保护着皇上的工作，他们的成员由三人组成，分别为一条龙，跳跳虎和沙尘豹。这天，从西域来的魔术为皇帝献艺表演，而一旁想要与西域魔术团切磋的阿龙主动提出比赛，但却变法失败，皇帝神秘失踪，不知下落，太子大怒将阿龙打入地牢，阿虎阿豹被牵连也进了地牢。兄弟三人被送上法场，即将行刑的时候，护卫阿猫把三人救了下来，四人从昔日风光无限的御前护卫，转眼就成了逃犯。 阿龙坚定要找出皇帝失踪的真相，并怀疑西域魔术团与此案有关，阿虎阿豹意见不合，兄弟分道扬镳，阿龙和阿猫只能凭借着细微线索前往西域，却意外的卷入了西域多方势力利益纷争……另一边，太子宣布皇帝已经驾崩，即将要举行登基大典…
