一个平静的夜里，最好功夫高手佩恩（龙飞 饰）一伙人闯入一家民居，最好将一家四口杀死，但他此行的目标——还是婴儿的天选救世主却逃走了。多年以后，救世主（史蒂夫•欧德科克 Steve Oedekerk 饰）在动物们的抚养下长大成人，他在与层出不穷的追杀者搏斗的岁月中练就了一身超凡功夫。为了向佩恩寻仇，救世主拜入鹤形唐大师门下，救世主那具有人形的奇异舌头使唐大师认可了他的身份，与玲和小罗等人成为同门师兄弟。同时，佩恩获得了当地官员支持在镇上作威作福，继而出手打败了唐大师，救世主自感远不是佩恩的对手，一身神秘的单乳女子“喔”突然出现，告诫救世主挑战佩恩必击败他的头号保镖功夫奶牛，显然，救世主的复仇之路还很漫长……本片将1976年香港电影《虎鹤双形》进行了全部颠覆的再创作。
蔡依林
回复 :When an overly ambitious student gets invited for a submarine journey by an eccentric entrepreneur, she comes to realize that deep-down inside people are not who they pretend to be.
Сɽ
回复 :Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.What follows is no traditional action film, but a thriller with snatches of comedy, in which the enemy isn’t hidden behind masks, but is in the minds of the liberators. Before they act, they have to overcome their personal demons. Comparisons to the school hostage-takings in Beslan and Kazan are obvious, yet Karatas – the mythical village where much of director Adilkhan Yerzhanov’s work is set – could be anywhere. It is universally acknowledged that crises bring out people's true natures.
回复 :Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.What follows is no traditional action film, but a thriller with snatches of comedy, in which the enemy isn’t hidden behind masks, but is in the minds of the liberators. Before they act, they have to overcome their personal demons. Comparisons to the school hostage-takings in Beslan and Kazan are obvious, yet Karatas – the mythical village where much of director Adilkhan Yerzhanov’s work is set – could be anywhere. It is universally acknowledged that crises bring out people's true natures.
