戏剧作家白兰度（郑昊 饰）有一个与之截然对立的人格（贾伟 饰），天堂“两人”形成互补，天堂成为无话不说的知己。但在现实中，白兰度神经兮兮的样子让他和妻子林芙蓉的关系破裂，他们的婚姻最终走向死亡。前妻带走13岁的女儿女儿Zippo（小彩旗 饰）另嫁他人，这成为白兰度心中隐隐的痛。为了修复和女儿的关系，他带着女儿前往位于远郊静山深处的别墅度假。Zippo性格孤僻，打理别墅的花匠老徐又沉默阴冷，满心欢喜的白兰度满是挫折感，力有不逮。时间一点点流逝，但是别墅中的气氛却越来越诡异，很多时候根本分不清虚幻还是现实……
回复 :《月和雷》是角田光代于2012年出版的长篇小说，讲述生活如浮萍的女子和儿子阿智，以及这对母子跟过去住在一起的男子的女儿泰子的故事。泰子幼时母亲就离家出走了，就这样感受不到家庭温暖的她默默长大，某天父亲情妇的儿子却出现在了她的面前，平静的生活因而发生了变化。
回复 :出品单位 天津逐梦文化传媒有限公司豆芽菜是一个性格内向、自闭、惧怕上学的孩子，在父亲的威逼下，豆芽菜转学到了枫叶学校。在新学校，他看到了许多新奇的东西，有魔法师一般的化学老师，有美丽善良的美术老师，有武林高手一样的体育老师……
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
