炎热的夏天，日韩在以男性“钓鱼”著称的湖畔度假胜地，日韩 平静湛蓝的湖水下暗潮涌动。英俊的中年男子弗兰克（Pierre Deladonchamps 饰）周旋于两个男人之间：肥胖风趣的亨利（Patrick d'Assumçao 饰）让他感到非常投缘，两人建立起无话不谈的友谊；美如雕像的迈克尔（Christophe Paou 饰） 让他一见倾心，两人发生肉体上的澎湃激情。然而在连场激战后弗兰克逐渐发现迈克尔神秘而危险的一面，湖畔的一桩凶杀案更让一切变得扑朔迷离。弗兰克无法抵挡迈克尔的吸引，其实早已投入感情的亨利也被卷入其中。究竟该就此抽身，还是放纵欲望铤而走险？本片获得第66届戛纳电影节酷儿棕榈大奖和一种关注单元的最佳导演奖，是年度由内到外的赤裸话题大作。情欲和悬念紧紧相扣，阴郁和激情兼而有之。静谧湖水中心灵与肉体交缠鏖战，直至最后一刻。
张娜拉
回复 :一个是商界大亨，有财有势，在黑白两道呼风唤雨。一个是阻街流莺，放荡不羁。一个是女警校刚毕业的学生，充满了正义抱负。钱多了找点小刺激把这三个不同背景的人连在一起，引发出一连串的事件……
林爽
回复 :The gripping true story of a young man’s journey from hero to alleged war criminal, the determined lawyer on his tail, and their search for truth in the fog of war.Anthony Boyle plays the real-life soldier Brian Wood, accused of war crimes in Iraq by the tenacious human rights lawyer Phil Shiner, played by Toby Jones.The two men go head to head in a legal and moral conflict that takes us from the battlefield - at so-called Checkpoint Danny Boy - to the courtroom, and one of Britain’s biggest ever public inquiries, the Al-Sweady Inquiry.Memory, evidence and trauma collide, as Brian finds himself caught on the fine line between war and unlawful killing. After his service in Iraq and years of legal investigation, will he ever be able to look his family in the eye again and be the husband, father, and son, they need him to be?Danny Boy is an urgent and thought-provoking drama that questions what we ask of those who fight - and kill - for their country.Danny Boy is made by Expectation for the BBC. It is written by Bafta-winner Robert Jones and directed by Sam Miller, and also stars Alex Ferns, Leah McNamara, Pauline Turner, Kiran Sonia Sawar, and Tom Vaughan-Lawlor. Executive Producers are Colin Barr and Susan Horth for Expectation, with Lucy Richer, Jo McClellan and Clare Sillery for the BBC.
回复 :In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
