“虫”既不是动物，亚欧区也不是微生物，亚欧区而是一种自然界中无处不在的力量，拥有独特的生命形态，偶尔和人类生命产生交汇，便生出一些奇妙的故事。但人们即使得知了“虫”的存在，大部分时候也不知如何应对，这便需要“虫师”出马。 银古就是一位虫师，他一头银发，年纪尚轻，但已经半生游历，经过一个个山野、村庄，为人们解决“虫”的问题，通过和被“虫”困扰的人们接近，他也接近了许多故事。银古的游历像风一样，再惊心动魄的“虫”似乎都融化在水墨样的山峦叠嶂间，芸芸众生也是过眼云烟，淡淡的故事里没有哀伤只有静穆。
回复 :Following the sell out tour and triumphantly successful album 'The Emancipation of Mimi', Mariah Carey releases the highly anticipated tour DVD 'The Adventures of Mimi'.The tour, produced by Ken Ehrlich, played to packed houses across the States, Canada and Japan. Throughout the tour the multi-award winning star sang hits including her classics such as "Vision of Love and "Fantasy" and also songs from her latest album including "We Belong Together", "It's Like That" and "Say Something". One of the highlights of the tour was when Mariah played a sell-out show in her hometown, New York, at Madison Square Gardens joined on stage by her friends Jay Z and P Diddy.Mariah is currently in the studio putting finishing touches to her latest album, yet untitled. Her signature fragrance, 'M' by Mariah Carey, is in stores now and her latest movie, 'Tennessee' from the makers of 'Monster's Ball' will be released soon. Carey is also in production with Adam Sandler shooting yet another movie, "You Don't mess with the Zohan".1 Intro2 It's Like That3 Heartbreaker4 Dreamlover5 My All6 Shake It Off7 Vision Of Love8 Fly Like A Bird9 I'll Be There10 Fantasy11 Don't Forget About Us12 Always Be My Baby13 Honey14 I Wish You Knew15 Can't Let Go16 One Sweet Day17 Hero18 Make It Happen19 We Belong Together20 Butterfly Reprise
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
回复 :近江鸾丸是日本黑帮近江组的少主，奉家族之命与吉原组的大小姐熏结婚。两人在前往意大利的豪华游艇中举行婚礼，在新婚之夜，并不相爱的二人发生了争吵。鸾丸被熏赶出房间后，独自一人在吧台借酒消愁。这时，另一个黑帮组织伺机挑衅鸾丸，混乱中一个意大利美男子亚尔出手相助。在一场打斗后，鸾丸和亚尔二人惺惺相惜，随后相约喝酒聊天。酒后二人却发生了关系……第二天醒来鸾丸要离开游艇了，他才发现原来温柔英俊的亚尔是游艇的船长……之后两人在意大利再度重逢，这时鸾丸却被卷入了麻烦的事件中，亚尔会不会出现……
