剧情简介
劔樹人人气漫画随笔改编，吸血松坂桃李主演作品《那个时候～男子喧闹物语》情报解禁。故事来自于劔樹人个人的真实故事。高考失败后的他，吸血因看了松浦亚弥的PV，开始了自己的乐队...但随着时间的流逝，乐队成员各奔东西...不过数年后，因为某件事情大家又集结到了一起...今泉力哉导演，冨永昌敬剧本，2021年公映。
吸血莱恩2：解脱
劔樹人人气漫画随笔改编，吸血松坂桃李主演作品《那个时候～男子喧闹物语》情报解禁。故事来自于劔樹人个人的真实故事。高考失败后的他，吸血因看了松浦亚弥的PV，开始了自己的乐队...但随着时间的流逝，乐队成员各奔东西...不过数年后，因为某件事情大家又集结到了一起...今泉力哉导演，冨永昌敬剧本，2021年公映。
杨丞琳
回复 :国际大都会上海，夜幕降临，华灯初上。城市的一角，男女老少觥筹交错，笑语欢歌。家庭晚宴结束，众人正准备离开的时候，餐厅所在的整条街突然停电。秀秀（江一燕 饰）留下来等着结账，丈夫则和其他人先行离开。突然安静下来的餐厅，只剩下秀秀和邻桌一名来自英国的男人（Tee Yoo 饰）。男人主动搭讪，称赞秀秀的美丽及其儿子的可爱，或许借着夜的暧昧，秀秀向这个陌生人说出了一个连家人都不知道的秘密。少顷，光明再现，二人起身离开。英国人似乎有些不解，这个初次见面的女孩为何会告诉他这样一个秘密。若有所思的秀秀暂停离开的脚步，约上对方一起去喝咖啡，并且讲述起那年非典流行时候发生的一段梦幻恋情……
回复 :CK律所在城中是一家声名卓著的律师事务所，合伙人之一雷有辉（方中信饰演）更有法律界“常胜将军”的声誉，却在十年前的成富商场倒塌案中令一众商户败诉。城中首富郭世荣（廖启智饰演）的女儿郭嘉仪在工作室中离奇暴毙，当年商户珠妈（鲍起静饰演）的孙儿李逸峰因在现场而作为嫌疑人被捕，并被控以一级谋杀罪名！珠妈面对孙儿被控谋杀手足无措， 只能求助法律援助。雷有辉律所的合伙人张美仪接受了珠妈这宗法援，派出律所新人何学铭（陈嘉乐饰演）负责。为了补偿十年前的官司败诉的愧疚，雷有辉也决心协助何学铭为李逸峰沉冤昭雪。在调查的过程中，雷有辉抽丝剥茧，发现案件另有隐情，却遭遇证人反口、证剧被毁、同僚遇害……如何将真凶绳之以法，雷有辉唯有在最后的庭审中绝地反击！
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
