二十年前，雾锁一对活泼可爱的孪生姐妹因为父母离异而分开。二十年后，雾锁妹妹绵绵已是舞蹈专业的大学生，在面临毕业之际，母亲病重去世。临终前要求绵绵她去青岛寻找她的孪生姐姐，并将绵绵托付给绵绵的恋人、大学同学陈扬。 为了寻找绵绵的姐姐，农民出生的陈扬毅然辞去了优越的工作，接受一直暗恋绵绵的同学孙雷的建议，与绵绵一道踏上青岛之路。 没有想到，青岛火车站，孙雷不见踪迹，不得已，陈扬送绵绵去了她的姨妈家，从此绵绵在姨妈家安顿下来，而绵绵的姨妈对农村出身的陈扬却有些不屑。 陈扬离开了姨妈的家徘徊在青岛街道，一辆飞驶而来的轿车，将陈扬撞出街道，而驾车人正是陈扬和绵绵所要寻找的绵绵的姐姐苏盈。当然，这一点，谁也不知道。 所幸陈扬伤势不重，绵绵和苏盈见面，两人顿生一种奇怪的感应。 出院之后的陈扬四处寻找工作，终于在海情广告公司谋到一个业务员的工作。 与陈扬不同，绵绵进入了一...
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回复 :CBS续订《犯罪现场调查：维加斯》第三季。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?