查拉（阿曼多·巴尔德斯·弗莱雷 Armando Valdes Freire 饰）出生于一个位于社会最底层的贫穷家庭之中，中文字幕综合父亲在很早的时候就离开了他，中文字幕综合母亲深受毒品之苦，根本无暇照顾和关心查拉。必须自食其力的查理以训练战犬维生，这导致他的性格非常的冷漠而且暴力。学校里，所有的人都认为查拉是一个无可救药的孩子，只有他的班主任卡梅拉（阿丽娜·罗德里格斯 Alina Rodríguez 饰）不这么想，她觉得查拉只不过是一个极度渴望爱的善良男孩而已。卡梅拉生病了，需要住院，新老师接手了她的班级。新来的老师并不是一个耐心的人，他误解了查拉的种种举动，并且最终将他送进了少管所。
回复 :民国初年的天津，社会动荡不安。深夜，青蛇帮帮主宁飞鸿刚从藏有军火和烟土的地下室出来，就被一蒙面人用刀拦住，幸有宁飞鸿侄子华云吾的挡驾。蒙面人是鼓宣的女儿娇妹，她是为报杀父之仇而来，娇妹的未婚夫是翠姑的儿子海龙。当年因宁飞鸿嫉妒翠姑爱大师兄鼓宣，而将鼓宣杀死，并强奸了翠姑，不久，翠生下海龙。翠姑含辛茹苦地将娇妹和海龙抚养成人。娇妹为报父仇，女扮装只身进城，牵马走过裕德楼，而引起路过此地的常义和华云吾的疑心，他们追了上去，并对拦路的小摊贩大打出手。这些被闻讯追到城里寻找妹妹的海龙看到，海龙痛打常义。海龙的功夫被正带着女儿天凤吃饭的宁飞鸿看到，他将海龙请到宁府，聘他做家丁教头，天凤请他做自己的保镖。这使华云吾非常妒忌。不久，娇妹装扮成乡下姑娘来到宁府做女佣，被华云吾看上，正当华云吾欲对娇妹无理时，海龙借机救下娇妹。当晚，海龙陪天凤去舞场，在回来的途中，遭人暗算，并巧遇华云吾，翠姑领乡亲们救下海龙，杀退敌人。天凤见海龙安全归来，十分惊喜，她从海龙手中接过刻有宁字样的匕首，顿时明白是华云吾怕海龙成了宁家的女婿，才派人暗杀海龙的。当晚，海龙在去刺杀宁飞鸿时，与妹妹相遇，双双落入陷阱，娇妹让海龙将她捆住，以免两人同时落难。宁飞鸿奖赏了海龙，命华云吾干掉娇妹。当海龙听到枪声后泪水长流，这一夜被宁飞鸿看到眼里，宁飞鸿要海龙说出主使人。华云吾在处决娇妹之前向她提出，若能拿出宁飞鸿的人头就可换回性命。娇妹回村找翠姑，翠姑等人杀进宁府，非但没有找到海龙，自己也落入敌手。当翠姑看到宁飞鸿的画像时，明白了眼前的人就是当年杀死大师兄，奸污自己的仇人。宁飞鸿也明白了一切。娇妹去救海龙，这时天凤已打开了关押海龙的地牢，华云吾拦在她的面前，天凤用身体挡住了华云吾射向海龙的子弹。娇妹、海龙一起杀了华云吾。宁飞鸿企图用父子情来感化海龙，被翠姑、海龙和娇妹击毙。
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
回复 :在未来的某个年代，人们的思维已经被政府机构控制，政府机构通过电视信号传输一种催眠电波控制人们的行动。但是一些不甘心被强权统治的人们研究出一种眼镜，戴上这种眼镜，电视节目里道貌岸然的官员就会现出骷髅般的原形……
