雷蒙（基弗·萨瑟兰 Kiefer Sutherland 饰）好不容易熬完了自己的铁窗生活，妖精在监狱里吃尽了苦头的他决定在出狱之后金盆洗手老老实实做人，妖精和深爱的女友艾迪（金·迪肯斯 Kim Dickens 饰）双宿双飞，浪迹天涯。然而，雷蒙灰暗的过去却不愿意放过他，出狱之后，他曾经的朋友马尔寇斯（文森特·加洛 Vincent Gallo 饰）找到了他，希望他能够跟他再干一票大的，赚上一大笔钱。经受不住金钱的诱惑，雷蒙妥协了，哪知道原本只是一次小小的行窃行动，却因为意外横出而酿成大祸。雷蒙一行人不仅射杀了一名便衣警察，还绑架了两名人质，就这样，雷蒙和艾迪不得不再一次踏上逃亡的旅途。
回复 :简评：听名字就像是SABU的电影一样，其实很多元素都挺像SABU惯用的。矢口晴靖的这部电影也是同样的轻松有趣，从情节上稍嫌俗套，两个窝囊的小人物莫名其妙的捡到两亿日元，同时又是遭遇黑帮堵截，一路磕磕绊绊，机缘巧合，最终小男女终成一对，开着跑车四处开心去了。典型的大团圆结局，贵在开心，情节也一直很轻松，节奏又很紧凑，很有趣的一个电影。适合放松神经的时候观看。两人住大酒店，喝最贵的红酒，女孩买衣服、做头发，瞬间麻雀变凤凰，太YY的一个电影。难得开心。演员方面则由安滕政信和石田光搭档。
回复 :片长：83分钟对白：英语类型：科幻\恐怖内容简介本影片是部喜剧和科幻影片。一位邪恶的科学家把一位被谋杀的中学生迈克的大脑移植到一只能动的恐龙雷克斯中。这支雷克斯暴龙的身材大小在片中能随时改变。后来雷克斯逃跑了，向那些在学校中曾使他痛苦的人们发泄他的报复，并且和他 心爱的姑娘泰米又团圆了。他们二人一起躲避开那位的邪恶的科学家和警察，找到了一支合适的试管容纳迈克的大脑。这时迈克的大 脑还仍然活着。【导演】 Stewart Raffill【编剧】 Gary Brockette；Stewart Raffill【主要演员】Denise Richards .... TammyTheo Forsett .... ByronPaul Walker .... MichaelEllen Dubin .... HelgaTerry Kiser .... Dr. WachensteinGeorge 'Buck' Flower .... Norville (as Buck Flower)Ken Carpenter .... NevilleGeorge Pilgrim .... BillySean Whalen .... WeaselJ. Jay Saunders .... Sheriff BlackJohn Edmondson .... KarlJohn Franklin .... BobbyMichele Maika .... MichelleKen Chandler .... DadShevonne Durkin .... Wendy
郭顶
回复 :Masked figures with machine guns march into the secondary school in Karatas, take the pupils hostage, and execute one of them. They make no demands. Silent terror is their modus operandi. Seeing as the army will take two days to arrive due to a snowstorm, maths teacher Tazshi decides to assemble his own assault team: his ex-wife, the gym teacher, the cowardly school principal, an alcoholic night watchman, the village idiot, and an incompetent chief of police.What follows is no traditional action film, but a thriller with snatches of comedy, in which the enemy isn’t hidden behind masks, but is in the minds of the liberators. Before they act, they have to overcome their personal demons. Comparisons to the school hostage-takings in Beslan and Kazan are obvious, yet Karatas – the mythical village where much of director Adilkhan Yerzhanov’s work is set – could be anywhere. It is universally acknowledged that crises bring out people's true natures.
