两个年轻的学生sarah和philip,国产两个人在网络上结识并且倾诉自己并不满意的生活,国产于是两个人相约一起徒步等到山顶自杀,在这一路上他们彼此分享生活中的经历和痛苦,那么经历了这一路的陪伴,两个人是否还有新的明天呢
两个年轻的学生sarah和philip,国产两个人在网络上结识并且倾诉自己并不满意的生活,国产于是两个人相约一起徒步等到山顶自杀,在这一路上他们彼此分享生活中的经历和痛苦,那么经历了这一路的陪伴,两个人是否还有新的明天呢
回复 :故事发生在河南省西部辛庄村。由于贫穷,黑墩(李忘雄 饰)27岁尚未娶亲成家。丁云鹤(于绍康 饰)是个退休的铁路工人,有一手种瓜的绝活,五十年代因为错说一句话被打成右派,如今平反后受邀到各地指导种西瓜。黑墩请他到辛庄做种瓜的技术顾问,丁云鹤来到辛庄后,不但指导大伙种瓜,也带来了全新的生活理念,黑墩靠种瓜致富娶上了媳妇。村支书张米贵(杨子纯 饰)刚开始反对大伙弃农种瓜,现在瓜农丰收后他又拒绝支付按合同给丁云鹤的大笔酬金,他开始给丁云鹤罗织莫须有的罪名,并利用大伙的小农意识克扣丁云鹤应得的报酬,还组织捉奸闹剧,诬陷他与女房东有奸情,丁云鹤愤怒地离开了这个失信的村庄......
回复 :阳光明媚时,女孩(李冰冰)便会现身热闹熙攘的北京王府井街头,向教堂门口来往的行人兜售原产于巴西的太阳花。在教堂对面的某家摄影器材店工作的男孩(夏雨)看到女孩时,便会外出从女孩手中买下一朵太阳花,并在返回店内后用橱窗里架起的摄像机偷偷记录下女孩的一眸一笑,以便晚上将女孩的微笑温习。某天,教堂附近的一家银行被抢劫,本来这是一件与男孩无关的事,可是当天晚上他习惯性地坐在电脑前时,看到了不同于往日所见的景象。
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.