欧美日韩日本国产电影免费看
地区:日韩
  类型:短片
  时间:2025-07-16 08:44:18
剧情简介

印度导演Sudhanshu Saria的首部电影,欧美挑战了印度将同性恋入罪的恶法,欧美在全球引发关注,被国际媒体形容为「一场温柔的革命」。影片获邀全球25个影展,并不仅名列美国SXSW影展十大必看电影,更勇夺以色列「特拉维夫同志影展」观众票选最佳影片大奖。杰是个成功的华尔街 交易商,他想趁到孟买开会的48小时,顺道享受美好的周末时光。他童年好友萨希除热心为他安排,并决定放下一切烦杂事务(包括他那凡事漫不经心的男友阿力),陪他前往西高止山脉一游。他们展开了一段远离尘嚣的旅行。不算熟悉的两人,因为共处一室而逐渐熟识。事业陷入困境的萨希,强打精神逗乐着杰;富裕俊帅的杰,则为妻子难容于母亲歧见而烦心,当然还有他不为人知的另一性向。由于彼此生活悬殊,萨希一路上努力压抑着对杰的爱意,并刻意错失杰的暗示,使之宛如深谷回音般,一次次消失在层层的山峦间。爱情跟好天气一样,不容错过。眼见即将返回纽约,杰在会议结束后,终于情绪失控对萨希表白。萨希认为杰该面对真实的自己,但夹在杰与阿力之间,他又该如何面对自己心底的声音呢?电影背景呈现了孟买贫富阶级的悬殊,难以消弭的族群通婚歧见,并自嘲了保守民风对同性之爱的惊奇。

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明星主演
壱岐尾彩花
吴百伦
卜学亮
最新评论(284+)

陆瑶

发表于9分钟前

回复 :时尚设计师马洛诺·布朗尼克的纪录片[马洛诺:为蜥蜴制鞋的男孩](Manolo: The Boy Who Made Shoes For Lizards,暂译)北美发行权被Music Box Films买走。布朗尼克一直是最受人追捧的时尚品牌之一。从这部纪录片中可以了解布朗尼克背后的故事,以及设计师本人对时尚和艺术的见解。


刘汉乐

发表于2分钟前

回复 :故事发生在一个晚上,安娜是一位一丝不苟的主厨,有着不为人知的过去,她的丈夫雷是一位健谈的连锁餐厅经营者。当当地黑手党出现,以烧毁她的餐厅作为一场保险骗局的一部分时,安娜将努力捍卫她的地盘,并在厨房内外充分发挥她的刀技。


龚诗嘉

发表于8分钟前

回复 :On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt.Berlinale 2014


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