1973年，影院居住在纽约的捷克犹太作家威利·弗雷德知道儿子女朋友的母亲也曾被关押在奥斯维辛集中营，影院父子俩登门拜会，威利见到了苦寻三十年的集中营恋人科莱特·科恩，威利的记忆闸门再次被打开……1943年7月，威利被转押到奥斯维辛·比克瑙集中营，不久比利时犹太女孩科莱特也被火车送来。威利在火车站台上叮嘱刚下车的科莱特要自称缝纫工，这使得科莱特免遭进毒气室。后来科莱特被分配去检查犹太人衣物中藏匿的贵重物品；威利则利用送取衣物之机偷偷在营内传递食品和药物，共同的命运使两人很快相恋了……
拾叁
回复 :鲍伯是一个赌徒，年纪不小，运气却不好。本片描写他的好友—一个高级警官，跟朋友计划抢劫一家赌场的故事，发生在夜晚的巴黎蒙马特区的暗处。原以为计划天衣无缝的鲍伯走进赌场开始赌博，却不知道那些警察早已经伺机等在一旁了。
回复 :一直在家自主教学的“瘦高个”詹姆斯正值升学的年纪，母亲阿比盖尔建议他去天才少年才能进入的圣海伦学院。詹姆斯对此并提不起兴致，因为他父亲的逝世让他患上了社交障碍症，和同龄人无法友好相处甚至大打出手，因此给阿比盖尔带来很多困扰。一次偶然的邂逅让詹姆斯对在点心店打工的女孩儿瓦尔产生了好奇心，并发现两个人身世相似都经历了家庭变故，慢慢熟络起来。直到一次詹姆斯无意间看见瓦尔和自己结识不久的朋友哈曼的亲密举动，内心的嫉妒让他对哈曼动手，在瓦尔道歉后詹姆斯才冷静下来。阿比盖尔误以为性格偏激的詹姆斯杀死了他的宠物仓鼠，詹姆斯终于向母亲坦言，自己的情绪病其实来自于曾目睹父亲自杀的过程。詹姆斯决定接受圣海伦学院的录取邀约，逾越自己的心里障碍，准备步入新生活。
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.