剧情简介
让人有些意外的欧美小清新爱情电影，风人影片讲述了两个美国大陆东西两端完全没有交集的陌生人之间的故事，风人两人不知为何被不可思议的力量联系在一起共享视觉听觉嗅觉等，当然最后相爱在一起了的爱情故事。
风人物语
让人有些意外的欧美小清新爱情电影，风人影片讲述了两个美国大陆东西两端完全没有交集的陌生人之间的故事，风人两人不知为何被不可思议的力量联系在一起共享视觉听觉嗅觉等，当然最后相爱在一起了的爱情故事。
洪爱莉
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 : 젊고 섹시한 이모와 첫 경험 상대인 이모 딸과의 이상야릇한 동거가 시작된다!입사시험에 줄줄이 떨어지고 무기력한 시간을 보내던 승호에게 어머니로부터 한 통의 전화가 걸려온다. 어릴 적 어머니와 함께 일하던 이모의 집에서 방값도 아낄 겸 지내보는 것이 어떻겠냐는 전화였다. 어머님께 죄송한 마음 때문에 딴 생각하지 않고 본격적으로 공무원시험을 준비하기 위해 이모의 집으로 향한다. 무거운 마음으로 도착하게 된 이모네 집 그곳엔 이모라고 부르기엔 너무나 젊고 섹시한 이모 민정과 이모의 딸 유미가 반갑게 맞이해 주는데…아뿔사 이모의 딸 유미는 소개팅에서 만난 승호의 첫 경험 상대인데...과연, 승호는 이모네집에서 공부를 잘 할 수 있을까?
红雨
回复 :汉宫选秀，王昭君（林黛 饰）自恃才貌双绝，拒绝向无耻的宫廷画师毛延寿（洪波 饰）行贿。毛怀恨在心，有意丑化昭君，致使昭君在随后的三年间未曾蒙受元帝（赵雷 饰）临幸。昭君一腔幽怨无与人诉，终日对月枯坐，感怀悲歌。某晚，元帝闲庭漫步，偶闻昭君歌声，待为相见，惊为天人。随后细细勘查，方知毛延寿倚仗画师身份肆意弄权，颠倒黑白。经历这一变故，昭君平日飞升，得到元帝宠幸。毛心慌自乱，望北而逃。他怀揣昭君画像，将其奉至匈奴可汗面前，谎称受元帝之命前来和亲。可汗信以为真，奉上定礼，却遭元帝拒绝。匈奴不堪受辱，遂起兵入其中原，由此上演昭君出塞的千古传奇……本片根据古典戏曲《昭君出塞》改编。
