本片是蒋能杰导演发起的抗战老兵系列纪录片中的一部，日韩另外还有2015年的纪录片《龙老》，日韩还有一部正在后期制作中的《将军的卫士》。纪录片《川军老兵彭国臣》记录曾参加抗战和内战的川军百岁老兵彭国臣晚年（2012-2 017年）的生活状况。彭老抗战身份一直不被认同，终身未娶，晚年与侄孙彭松柏一家过活，生活不能自理时，全靠侄孙彭松柏照料。侄孙彭松柏也面临上有老下有小的经济压力。而彭老的高龄补贴、精准扶贫款等惠民政策，当地迟迟未予落实。2017年102岁的彭老离开人世，侄孙负债举行体面的葬礼。该片主要探讨日益严峻的中国养老问题。
回复 :中东某地，美国军方的情报系统锁定了一名目标人物，总统不顾系统电脑运算出的建议处理方式，下令定点清除，由此引发了意外的连锁反应……公司小职员杰瑞（Shia LaBeouf 饰）的生活平淡乏味，时常手头拮据，连房租也成了问题，由于供职于军方的孪生兄弟意外过世，杰瑞赶回家中参加葬礼，但此行归来后，杰瑞发现家中居然堆满了武器，随即赶到的FBI破窗而入将他逮捕。与此同时，名叫蕾切尔（Michelle Monaghan 饰）的女人从大街上的电子广告牌上得知自己的儿子被某人绑架，绑架者拥有超乎寻常的能力，能够控制电子产品并监控一切。这名绑架者引导杰瑞摆脱FBI，最终上了蕾切尔的车，两名陌生人被迫合作，在FBI的追捕中落入了神秘绑架者的计划……究竟绑架者是谁？他又有何居心呢？©豆瓣
许晋豪
回复 :两个年轻的漂泊者带领一列摩门教马车来到圣胡安山谷，在旅途中遇到了凶残者、印第安人、地理和道德挑战。
李之勤
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
